A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
Trust in Love 2024 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Captain America Brave New World 2025 - Movies (Feb 12th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
The Influencer 2024 - Movies (Feb 11th)
Kelsey Cook Mark Your Territory 2025 - Movies (Feb 11th)
The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
Michael McIntyres Big Show - (Feb 16th)
Prosecuting Evil with Kelly Siegler - (Feb 16th)
The 1 Club - (Feb 16th)
Yellowstone to Yosemite with Kevin Costner - (Feb 16th)
The Sunday Show with Jonathan Capehart - (Feb 16th)
Match of the Day - (Feb 15th)
The Beat with Ari Melber - (Feb 15th)
Love Island- All Stars - (Feb 15th)
Gladiators - (Feb 15th)
The Masked Singer - (Feb 15th)
Irelands Fittest Family - (Feb 15th)
Saturday Kitchen Live - (Feb 15th)
Sarah Beenys New Life in the Country - (Feb 15th)
Alex Witt Reports - (Feb 15th)
James Martins Saturday Morning - (Feb 15th)
The Kitchen - (Feb 15th)
WWE Main Event - (Feb 15th)
Live from the Other Side with Tyler Henry - (Feb 15th)
The Kelly Clarkson Show - (Feb 15th)
The Fifth Estate - (Feb 15th)
Could this be the original observational documentary? We begin as the audience flood into a cinema and settle down in front of the big screen. The cameraman then takes us on a tour of his city with no apparent rhyme nor reason to the imagery we see. There's a bit of the old Imperial opulence reflected in the architecture to contrast with the street beggars (whom the Soviet Union aways denied existed). A very near miss whilst trying to get some POV footage of a train. Then what feels rather pruriently like a look at a woman's morning levée all intercut cleverly using the camera shutter to deliver this in chapters as their city awakens and the trams start to run, the bustle sets in and the industry comes alive. The photography frequently captures the intricacy of different manufacturing processes - both with and without human input, the latter sometimes being quite labour intensive. People mill about like ants racing to and fro and the cameraman himself appears in shot now and again to add additional context to this remarkably captivating look at a day in the life of an huge variety of people and activities - including a wedding and funeral. What's quite astonishing is the quality of the film. It's almost pristine, almost a century after it was made, and there are even some very basic visual effects merging the images and creatively capturing the lives of the community. It's barely an hour long, but effectively combines pictures of the serious and professional as well as the mischievous and playful and it's well worth a gander.
In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.