One Cut, One Life

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.

Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.

A portrait of 10 senior dogs and their owners who struggle with the thought of letting go.

Fragments from movies found in an abandoned cinema in Beirut. Retrieved by Mr. Salloum. Assembled by Ms. Ahwesh.

It can be said that the history of man is the history of the horse. Nowhere is that more true than in Poland with their beloved Arabian horse. This is the strange, unexpected story of far-flung lands as disparate as Egypt and the long-suffering Slavic kingdom of Poland coming together in war and in peace and influencing one another through the living history written on the backs of centuries of horses. This breathtaking film documents the unlikely, triumphant story of Poland's entrance onto the world stage via their worldwide influence on the breeding of one animal; how a beleaguered nation rose up to become the pinnacle of Arabian horse breeding, coming full circle from desert sands to the hallowed halls of Europe.

White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.

This film profiles Canadian actor Christopher Plummer of the Shakespearean Theatre, Stratford, Ontario. As the minutes tick by, cameras register the transformation as he dons his make-up for the title role in Cyrano de Bergerac. We also see Toronto actress Kate Reid as well as actors Len Birman and Martha Henry.

In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.

Traces the themes and characteristics present in the plastic arts of Puerto Rico, which represent a search for the Puerto Rican identity.