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The Magnificent Mustang. King of the Wild Stallions is directed by R.G. Springsteen and written by Ford Beebe. It stars George Montgomery, Diane Brewster, Edgar Buchanan, Emile Meyer and Jerry Hartleben. A CinemaScope/DeLuxe Color production, music is by Marlin Skiles and cinematography by Carl Guthrie. A widow and her young son find trouble at their remote ranch, with the land baron vultures circling. But help could come from an unlikely source. It's indicative of many other family friendly Westerns of the 1950s, but as it happens this is no bad thing where King of the Wild Stallions is concerned. It's a charming film full of likable Western movie character actors who are able to keep the safe formula on the good side of good. It all comes down to goodies doing battle with the baddies, with the added bonus of a jet black equine called Lightning who dominates most of the narrative. The backdrop of Vasquez Rocks is beautifully captured by Guthrie's scope photography, while the action is well marshalled by old pro Springsteen, including a horse fight! Time to shout for the goodies here, hooray! 7/10
Accused of a crime they didn't commit, two city kids and a magical horse are about to become the coolest outlaws ever to ride Into The West.
While spending the summer at her grandmother's farm, a girl discovers a talent for communicating with horses and tries to tame a fierce stallion.
While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion that is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a deserted island. He befriends it, so when finally rescued both return to his home where they soon meet Henry Dailey, a once successful trainer. Together they begin training the horse to race against the fastest ones in the world.
A twelve-year-old girl is transported by a magical black stallion to the mystical world of Albion, where she discovers that she alone is the key to saving an entire race of people.
C.J. and Hanna become the greatest of friends when the latter visits the former on the ranch where she lives, with the purpose of photographing the horses for her school project. The two unearth a secret plot which may put the mustangs in danger.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.
Tom Riley and sidekick Windy arrive at the Baker ranch where horses are being rustled. It appears the culprit is a wild horse, but Tom catches and rides the horse which leads to trouble with the real rustlers.
Bob Evans' Arabian stallion is stolen and Bob, with his friend Shag Williams starts on the trail that takes them to the horse ranch owned by Kimball and his daughter Ann, where the stallion is running wild. Baker, the ranch's crooked foreman, is utilizing the stallion as a decoy and, with his henchmen, Raymer and Winton, corrals the mares that follow the stallion in a hidden corral, intending to sell them across the state line.
Wild Horses tells the story of Mills, an established LA photographer, who returns to her native Nevada following an urgent call from her grandmother informing her that a band of wild horses close to their hearts, faces government roundup. In this story, that spans just one day, cruelty, courage, love and memory collide as two generations of women bear witness to the brutality common to wild horse roundups in the American West. Mills is exposed to a complex issue and follows her heart, choosing to ignore the consequences.
Feature-length Western based on the hit TV show 'Tales of Wells Fargo,' about a Wells Fargo Company troubleshooter who becomes the target of an outlaw he helped send to prison.
Sent to investigate a payroll robbery, Marshall Rocky meets his old friends Ken, Eddie, and Max. He has the serial numbers and when Pop puts on his medicine show they get one of the bills. This enables Ken to see through Sorrell's scheme that threw the blame on an innocent rancher and he sets out to prove it. Written by Maurice Van Auken