Mr. Plastimime

In this Christmas season release, Max assembles a toy train track while Ko-Ko the Clown visits a cartoon toyland, playing cops and robbers and rescuing a doll in distress.

A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.

To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

A short story about a young ninja.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

A terrible mistake puts two best friends on a quest to reinvent themselves and overcome personal barriers to pursue their long forgotten dreams, right before the pandemic hits.

A runaway train speeds down the track.

In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.