Montgomery Clift

Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.

A film that exposes the reality of young homosexuals who live in the outskirts of Rio de Janeiro, suffer the effects of poverty and misery, but do not lose their identity, dignity and creativity. They are homosexuals, transformers, butterflies of Brazilian real life.... They experience the possibilities and the limits of gender and sexuality, face discrimination with their heads held high, with courage, and determination... They fight for the right to be different and demand, in many ways, that their difference be respected.

Just a generation ago, it was adults, not kids, who changed genders. But today, many children are transitioning, too—with new medical options, and at younger and younger ages. Told from the perspective of parents, doctors, and, most revealing of all, the kids themselves, the documentary takes a powerful look at this new generation, exploring the medical possibilities, struggles and choices transgender kids and their families face today.

A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.

A 58 year-old Black queer man speaks about his life as an emergency nurse, leather title holder and civil rights advocate.

Early 19th-century England is usually seen through the eyes of Jane Austen and the Brontë sisters. Sue Perkins explores a dramatically different version, as lived and recorded by Anne Lister. A Yorkshire landowner, she kept a detailed, partly coded diary, revealing graphic details of her love affairs with women. Regency England was surprisingly tolerant of Anne's chosen lifestyle, and it was only when Anne sought to sink a coal mine on her land that criticism of her private life became public.

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.