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It's a thrilling, action-packed entertainer with sparks of men versus villains in an up-and-down tale of brothers burning with masculine will and passion.
Former yakuza underling Kazuma Kiryū has recently been released from prison after a lengthy incarceration and is trying to piece his life together and distance himself from his yakuza past. Unfortunately, Kiryū's problems slowly escalate as he is pursued by a former associate, the baseball-bat-wielding psycho Gorō Majima, who has a grudge to settle with Kiryū.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.
The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.
When George Tanner does business with high-ranking Yakuza Tono, Tono kidnaps his daughter, and George summons his old friend, private eye Harry Kilmer, to Japan to investigate.
In 1936, under the war clouds over the Manchurian border, 60-year-old Shozaburo Oshima is concerned about the future of his only son, Ryuji, who has refused to follow in the footsteps of his gambler father and decided to become a doctor. Ryuji leaves home to work at a clinic at a dam construction site where he finds the treatment of the laborers intolerable. But when he challenges the boss, who thinks nothing of murder, he discovers to his astonishment that he is safe because of his father's reputation. Torn between filial piety and his ideals, Ryuji is told of the murder of his father by men of a rival gang. He experiences another shock when informed that the woman behind the rival gang is his true mother who was forced to leave his father due to an unwritten code among gamblers.
A yakuza boss hires Goemon Ishikawa, a modern day samurai, to protect him aboard his cruise ship casino. Everything goes sideways when the famous thief, Lupin the Third, tries to rob the vessel. Lupin's being hunted by a powerful and mysterious man: the so called “Ghost of Bermuda.” With Goemon's employer dead in the ensuing chaos, his honor is at stake, and the only way to preserve it is with blood. But this opponent is like no other, and to make things right, Goemon may need to sharpen not only his sword, but himself as well!
A detective and his partner track down a call girl with information about a drug cartel. After taking her into custody, they are attacked by cartel members. The detective and the woman manage to escape, but they are soon hounded by a professional hitman hired to eliminate them and recover the heroin stolen by the woman.
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
Takemiya Union Tōjō-gumi Wakagashira Yasuda (Hitomi Matsuda) retaliates against the Kansai-based Myōjin-kai by attacking their office after an assassination attempt on Union chairman Shimamura (Shunsuke Kariya). Joined by Yamashina-gumi Wakagashira Kiryu (Yoshiyuki Yamaguchi), the two succeed and pledge to work as brothers without an official oath, dedicating themselves to their organizations and the Union. The Union faces upheaval with Shimamura's retirement announcement and the loss of his son, Katsuto (Hitoshi Ozawa). The leadership race narrows to Tōjō (Hiroyuki Watanabe), Yasuda's boss, and Yamashina (Masahiro Noguchi), Kiryu's boss. Just as Yasuda’s casino operation thrives, a police raid confiscates all earnings and forces its closure. In desperation, Yasuda turns to a certain man (Naoto Takenaka) for help.