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Sixth Sense and Nine Avenues. Il gatto a nove code (The Cat O’ Nine Tails) is written and directed by Dario Argento. It stars Karl Malden, James Franciscus, Catherine Spaak, Horst Frank, Aldo Reggiani, Carlo Alighiero and Rada Rassimov. Music is by Ennio Morricone and cinematography by Erico Menczer. Blind puzzle solver Franco Arno (Malden) and newspaper man Carlo Giordani (Franciscus) team up to see if they can solve the mystery of the murders that are terrifying the city. With their own lives becoming increasingly in danger, and the lines of investigation splintered all over the place, the men are drawn to the mysterious Terzi Institute where geneticists are tampering with gene patterns… Argento doesn’t like it and the fans are very much divided about the worth of it on the Argento curriculum vitae, yet The Cat O’ Nine Tails is a delightfully entertaining oddity. The plot is labyrinthine with relish on top, spinning the viewers into the same convoluted investigative maze that Messrs Arno and Giordani find themselves in. In fact, it’s near genius that it rarely makes sense under inspection, yet still there’s a fascinating edge to the story, with its characterisations, sexual kinks and cruel murders, there’s a power to the piece that rewards if you can just run with it, buy into Argento’s Giallo singed world. With Malden turning in a great performance and Franciscus performing to a level nobody thought was in him, the lead characters really come to life. Add to that Morricone’s creepy jazzy-garde fuelled score underlining the skew-whiff nature of the beast, and Menczer’s photography tonally muted, tech credits are at one with the themes ticking away in the narrative, a narrative that has observation, ironically, on vision, sight and minds eye. While there’s a couple of rug-pulls jostling for our attention just to keep things twisty. Then there is the director himself. The Cat O’ Nine Tails finds him restrained compared to the excess of style over substance films that would dominate his oeuvre post release of The Cat. That’s not to say there isn’t style here, there’s plenty as Argento dallies in POV, iris vision, and a nifty trick that gives the blind Arno “sight”, further ensuring that the supposed handicapped character is the key player and potential saviour of all. A number of scenes are bursting at the seams with suspense, with a cemetery/mausoleum sequence top draw, for sure Argento is firmly getting in his stride here. It’s not a gore movie, something which I personally think has led to some of Argento’s fans giving the film the cold shoulder, but it’s the tale (or tails of course) and characterisations that hold it up as being under valued. It’s a Giallo whodunit flecked with sexual stings and no little amount style draped all over it. 7/10
Okay giallo movie from Dario Argento has its moments and fine performances from James Franciscus and Karl Malden, but the end wasn't exactly satisfying. Still some entertaining scenes here and there. **3.5/5**
After several coeds are murdered at a college, a professor who is having an affair with one of his students becomes a suspect. When other gruesome murders start occurring shortly thereafter, the teacher suspects that he may be the cause of them.
A Portland taxi dancer is a suspect in a series of murders involving her former customers.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
Long ago, a room in a small-town inn was the site of a gruesome double murder. Decades later, with the town terrorized once again by bloody ritual killings, a mysterious woman suffers bizarre flashbacks related to the slayings.
On the night of their tenth anniversary, corporate lawyer Michael Barnes' wife is brutally murdered. Labelled the prime suspect by Detectives Jack Burns and Amy Cobb, Barnes must try to clear his name before it's too late... Along the way, Barnes' closest friends begin to show their true colors, and with no one left to trust, he finds himself with nothing to lose as he's faced with the toughest decision of his life.
This movie is about soccer hooligans, the most aggressive and violent soccer aficionados. They are an exclusive group, the elite of all soccer fans. Whoever they may be in their everyday lives—college students, bankers, musicians, or car mechanics—they are a “firm.” It’s easy to get into a firm, but once you’re in, it’s for life. There’s no going back. The movie is based on actual events
A series of mysterious events changes the life of a blind pianist who now must report a crime that was actually never witnessed by him.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.