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My Husband the Cyborg 2025 - Movies (Mar 9th)
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In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
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CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
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Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
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Australian Survivor - (Mar 9th)
Married at First Sight - (Mar 9th)
Australian Idol - (Mar 9th)
Space Invaders - (Mar 9th)
Lonely Planet- Roads Less Travelled - (Mar 9th)
Gladiators- Epic Pranks - (Mar 9th)
Screwballs - (Mar 9th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
Macbeth (Orson Welles) is travelling across a misty moor one evening when he encounters three mysterious women whom acclaim him Thane of Cawdor. His is surely Thane of Glamis, and Cawdor is another man altogether - or is he? Then they proclaim that he shall be King of Scotland - and remain so unless some seemingly impossible circumstances combine to bring about his downfall. Empowered by their prophecy, he returns to the castle of King Duncan (Erskine Sanford) where he divulges his secret to his ruthlessly ambitious wife (Jeanette Nolan) thus setting in motion some regicidal scheming that will install him on the throne - but at what cost to him, his wife and his kingdom. This is certainly my favourite Shakespeare play, full of darkness and mysticism; of betrayal, duplicity and as near to actual evil as I think the stage has ever got. Though maybe Welles ought not to have been costumed as a Mongolian warlord, his efforts otherwise to master some of the most powerful soliloquies in the English language are impressive. Nolan also contributes well as the devious, downright malevolent wife who cares for power and him and little else. The supporting cast do enough, but there is a paucity of actual Scots actors here. The eeriness and creepiness of the thing might have benefitted more from the likes of Finlay Currie and John Laurie rather than from Dan O'Herlihy; the really lacklustre efforts of Roddy McDowell as "Malcolm" - son of a murdered father, nor of Edgar Barrier's a-haunting "Banquo". John Russell's photography and Fred Ritter's art direction use the sound stage space well creating a plausible series of impressions of the near twenty year reign of this 11th century monarch. As ever with this bard, he uses approaching armies and battles effectively, but nowhere near as effectively as he uses the human psyche to generate fear, guilt and paranoia - and again, Welles delivers the role of the increasingly troubled man strongly. It is still better seen at a theatre, but as big screen adaptations go, this is a creatively menacing depiction that has held up well.
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master’s death, Chen takes on both Chinese and Japanese assassins… and even a towering Russian.
In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the money is stolen, Rob is forced into a Robin Hood lifestyle to defend his family and honour.
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.
Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.
Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
In WOODSMAN, young couple Alan and Lottie make do with what they've got: each other. After an accident has left Lottie bedridden and nonverbal, the two of them must find new methods to communicate, all while something enigmatic calls out to Alan from the other side of the nearby lake.