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***Account of the troubled production is far more compelling than the movie*** The making of the 1996 version of "The Island of Dr. Moreau" was such a disaster that articles, books and documentaries have been made about it, like this 2014 documentary "Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau." Stanley championed the film, wrote the screenplay and was set to direct, but was fired after a few days of shooting after conflicts with Val Kilmer, who wasn't in the best of moods due to being served divorce papers while on set. Actually that wasn’t the main reason Stanley was fired. He was fine for small indie productions, but he was out of his league with a blockbuster like this. In his defense, the movie didn’t start as a blockbuster, but simply a few notches more swanky than Stanley’s previous two Indie flicks. Veteran filmmaker John Frankenheimer had to be brought in to save the production from being an utter loss. He got the job done, but his tyrannical approach didn’t help matters. The situation was so bad that Fairuza Balk (the cat-lady, Aissa) literally tried to escape the remote set in Cairns, Australia, but she was caught at the airport in the nick of time. Add to this constant rewrites and Brando's well-known eccentricities, not helped by the recent suicide of his daughter, Cheyenne, and you have a formula for cinematic chaos! The fact that a semi-coherent, somewhat entertaining movie was made from such a debacle is remarkable. But this documentary is far more interesting and amusing. It’s on par with similar docs, like “Hearts of Darkness: A Filmmaker’s Apocalypse” (1991). Some notables of the cast & crew unfortunately weren’t interviewed (Kilmer, Ron Pearlman and David Thewlis), but more than enough were to accurately and entertainingly paint the picture of what went down. The film runs 1 hour, 37 minutes. GRADE: A
Interviews with Lemmy, Phil Campbell, Mikkey Dee, Eddie Clarke and Phil Taylor. Released with the 30th Anniversary edition of INFERNO.
Behind the scenes look at the making of The Blackening, Machine Head's sixth album.
A "behinds the scenes" documentary about the making of the 1987 film THE PRINCESS BRIDE with original archive footage and new interviews with cast members.
Documents the sub-culture of latex fetishism. ALL ACCESS offers a visit inside the private and public circles of a fetish icons. It follows Bianca Beauchamp through three days and three nights during one of the Montreal Fetish Weekend. A party at home, a book signing, and a visit to a fetish event with peeps dressed in latex from head to toe. Written by Martin Perreault
Builds up on the original's idea of a fetish-reality-documentary melting pot following international latex fetish icon Bianca Beauchamp and her kinky friends day and night during a 3-day fetish event, on stage, behind the scenes, at home even!, and this time with a lot more latex extravagance and glamor! Following Bianca & her friends escapades offers a unique perspective on the subject of fetish, often considered taboo by many, and sheds a fun light into a world where cameras are usually frown upon. The result is a fun and captivating ride demystifying international fetish events, its artists, top models and party people. The film was shot at the Montreal Fetish Weekend 2007. Written by Martin Perreault
Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.
A behind the scenes look at HBO's critically acclaimed reality-based seven part miniseries 'Generation Kill' about some marines which was apart of the Iraqi invasion in 2003. You'll get an inside look in how the series was made.
A behind-the-scenes look at the making of Sai Enterprise's Ginî piggu 4: Pîtâ no akuma no joi-san.
NOTFILM is a feature-length experimental essay on FILM - its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications - utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
A luminary-packed tribute that lifts the curtain on the Cannes Film Festival in its 75th year – for as they say in France, ‘the story of Cannes is the story of cinema’.
