Jongens van de Landbouwschool

U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man

A documentary of the band's first 12 years with interviews and live footage.

Filmed and recorded towards the tail end of 'The World Slavery Tour' over a record breaking four sold out nights at Los Angeles' 13,200 capacity Long Beach Arena. Featuring tracks from their first five albums.

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

This historical music video features as its centrepiece The Doors' last televised appearance, aired on PBS in 1969.