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It's not you marrying me. It's me marrying anybody. I'm sick. I am mentally sick, and I can't marry anybody, ever. The Three Faces of Eve is directed by Nunally Johnson who also adapts the screenplay from a book written by Corbett Thigpen and Hervey M. Cleckley. It stars Joanne Woodward, Lee J. Cobb, David Wayne and Edwin Jerome. A CinemaScope production, music is by Robert Emmett Dolan and cinematography by Stanley Cortez. Doctor Curtis Luther (Cobb) treats Eve White (Woodward) for Multiple Personality Disorder... Christine, Strawberry Girl. It has become one of those films that is stuck in some sort of Hollywood purgatory. Its impact back on release in 1957, where Hollywood was still struggling to come to terms with putting mental illness on celluloid, should not be understated, and it's that time frame where one might have to transport yourself to get the benefits of the production. Looking at it today, it is rife with simplistic ideals, where it often feels like Hollywood believes there is this magical cure for mental illness, a world where some amiable doctor can chat the chat, snap his fingers and bang! What joy, it's all good really, and sorry we played some of the film for laughs... The reason why it is in Hollywood no man's land is because in spite of the near crassness of the piece, it still stands up as a film of importance, a picture that brought out the topic at hand into the mainstream. As an interim movie in the trajectory of big screen forays into matters of the mind, it advanced awareness and built a bridge that the likes of "One Flew Over the Cuckoo's Nest" and "Girl Interrupted" would later traverse with some distinction. It also boasts a brilliant Oscar winning performance from Woodward, a real tour de force that engages the viewer emotionally to the point where sadness, anger, hope and understanding merge into one blurry cinematic achievement. Though away from "Eve's" interactions with Doctor Luther (Cobb perfectly restrained for a change), the rest of the film kind of feels like filler, Johnson not quite comfortable enough as a director to expand the dramatic thematics out of the Doc's office. Based on the real life case of Chris Costner Sizemore, the story only scratches the surface of what the poor lady went through. The psychiatric resolution here on film is very disappointing, this even if there's undoubtedly some exhilaration to be had as cinema Eve comes through the dark tunnel to find daylight. So in that respect, it's another blot on Nunally Johnson's landscape. But again, it put the case in the public conscious, where even today it should at least make people consider reading up on the real "Eve's" story. Uneven for sure, where rewards and annoyances await, but Woodward and the film's mark in subject matter history lift it way above average. 7.5/10
I was not expecting this film to be this good! Didn’t know anything about the film before I started watching it and what a pleasant surprise it was! The film, which tells the true story of a young woman with multiple personality disorder, is way ahead of its time in my opinion. Coupled with good acting and a storyline that never bores you, it’s one of the best films I watched that is from the 1950s. Would I watch it again? Absolutely. Would I make my friends watch it? Definitely.
Joanne Woodward is superb in this complex and intricate drama of "Mrs. White". Now here is a woman married to "Ralph" (David Wayne) who reaches the end of his tether when she goes on a spending spree. She denies it, she attacks their child then she ends up in a psychiatric hospital remembering nothing, where "Dr. Luther" (Lee J. Cobb) starts to think that she is ill. Further conversations, and some assistance from his colleague "Dr. Day" (Edwin Jerome) soon leads them both to believe that this lady has a split personality. One, a benign and gentle creature, the other a more assertive one. They share the body on a symbiotic basis that is seeing a gradually changing dynamic between the occupants. Things complicate further when a third persona appears - and that leaves the doctors scratching their heads, but still determined to try to help this woman before she succumbs to the pressures of her toxically confusing and upsetting character. Is it something buried deep in her past; a trauma or tragedy? Woodward moves from one iteration to the other with consummate skill; her scenes with both Wayne and an on form, considered, Cobb really do enthral. This exposé of the elementary science of psychiatric medicine is well delivered by Nunally Johnson using Robert Dolan's score cleverly to assist us as the eponymous faces of "Eve" come and go. It's a difficult topic to reflect well, but this really does offer us strong, solid, efforts and some food for thought, too.
A young man and his three younger siblings are plagued by a sinister presence in the sprawling manor in which they live.
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil's Island penal colony.
In a small town in northern Norway, Eira tries to follow in the shadow of her brilliant and rebellious older sister Vera. Lately however, something is happening to Vera. In a bid to understand, Eira starts reading her diary. She enters Vera’s universe of intense light, glitter, mythology and hopes for a more beautiful world. Yet her diary reveals a darkness that leaves Eira confused.
This movie tells the story of Omar Mukhtar, an Arab Muslim rebel who fought against the Italian conquest of Libya in WWII. It gives western viewers a glimpse into this little-known region and chapter of history, and exposes the savage means by which the conquering army attempted to subdue the natives.
Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.
In May 1940, the fate of World War II hangs on Winston Churchill, who must decide whether to negotiate with Adolf Hitler or fight on knowing that it could mean the end of the British Empire.
1547. Fernando de Gama, a young "Soldier of Fortune" from Portugal, set sail for the Orient in an effort to find a man who murdered his father and, with luck, like many of their compatriots, to make his fortune. A vicious storm in the Indian Ocean almost ended his plans when he was on the ship sank. The sole survivor, he was washed up on a tropical beach only to be captured by Arab slavers and taken to Ayutthaya in the kingdom of Siam, where he was offered for sale as a slave.
True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.
Acclaimed dramatization recreating the incidents surrounding the 1971 revolt in New York's Attica State Prison that lasted for 23 days and resulted in the greatest casualty toll between Americans since the Civil War.
In 1919, at the end of the Great War, Don Giovanni Minzoni returns to his parish in Argenta, in the province of Ferrara, wants to reorganize the social and cultural life of the community and tries to bring the rural children together into the old recreation center. The socialists, led by Natale Gaiba, the city councilor, openly show their disdain for Don Minzoni and his Church. After some time, anyhow, the relations with the socialists seem to begin, starting a relationship based on understanding and collaboration. At the same time another political force, modern and unexpected, makes its entrance into history and into the small village of Argenta. Fascism is taking hold in the cities and in the countryside throughout Italy, and even in Argenta the first riots and attacks begin…
Two 15-year-old girls from different sides of the tracks compete to see who will be first to lose their virginity while at camp.