The Definitive Elvis: Elvis and the Colonel

Jann Arden appears in a documentary with recordings from her 2009 tour in support of her album "Free." It was filmed in November 2009 in British Columbia and includes performances of twelve songs. This DVD was released in combination with her live album, "Spotlight," in 2010.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

When "Tropical Hits" premiered on December, 2015, on National Television, it became the highest-rated documentary ever on Colombian television, with over 4 million viewers. "Hits from yesterday, today and always" is probably one of the most popular phrases known by Colombians, and its one of the phrases that follows the release of the popular December album, 14 cañonazos bailables ("14 dance music hits"), a music compilation that for 54 editions has become the thermometer of Colombian popular music. In 1960, "Discos Fuentes", the oldest record label in Colombia, decided to bet on a new way of producing music, releasing the first mixed album that combined the most important songs of the year. That first album marked a new era in the music production industry in Colombia. "It was like bringing home the disco every Christmas". Since then, the "Hits" have been a mandatory purchase every December.

Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.

Concert film with Norwegian band deLillos filmed at Rockefeller Music Hall in Oslo, 18 December 1993.

Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Presented by Theatre Support Fund+, The Shows Must Go On! and National Theatre Live, the world’s most iconic musicals return to the West End stage with a stunning concert performance live from the Palace Theatre. With a multi award winning creative team, a cast of over 50 West End stars and an orchestra made up of the best musicians the West End has to offer, enjoy the biggest celebration of musicals this summer.

Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK in the run up to the 2015 General Election, visiting the neglected, broken down and boarded up parts of the country that many would prefer to ignore. Part band doc, part look at the state of the nation, the documentary features individuals and communities attempting to find hope among the ruins, against a blistering soundtrack by Sleaford Mods.

'The Ambiguity of David Thomas Broughton' is a musical documentary following the creative process of one of the UK’s most enigmatic musicians and performers. As a musical act, David Thomas Broughton is almost unclassifiable. His live shows are a exhilarating mix of musical experimentation and performance art, underlined with a raw unpredictability. His recorded material is dark but beautiful, marrying traditional folk with a surrealist edge. Off-stage, he’s an introvert with a passion for bird watching. Who is the real David Thomas Broughton? Through a series of interviews with friends, family and collaborators, filmmaker Greg Butler attempts to unravel this ambiguity. His journey takes him to David’s home town of Otley, where we track David’s creative process as he records new material to be played at the End of the Road Festival.

Several high-budget epic films became Omar Sharif (1932-2015) a film star. He was an actor, but also a bridge player, a womanizer, a bon vivant; he was a man full of contradictions, who enjoyed card games more than movies; he was an eternal nomad who spent half his life in a hotel.