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**_The micro-budget Indie that brought the Dracula story to the modern day_** Three Los Angeles couples in their 20s-30s hold a séance with a mysterious immigrant from Bulgaria, a count (Robert Quarry). When one of the couples drives him home in their Volkswagen van, they become suspicious of the man. Could he be… a vampire. “Count Yorga, Vampire” (1970) was originally to be called “The Loves of Count Iorga, Vampire” and this explains the title during the opening credits of the version I viewed. It also explains why a couple of the characters (not all) pronounce the Count’s name as ee-OR-gah. This is an Indie by Erica Productions that AIP wisely decided to distribute. It only cost $64,000 (which is $50,000 LESS than “Night of the Living Dead”), but is superior to some of the Hammer vampire flicks. And, actually, influenced Hammer’s decision to set their next two Dracula movies in the 70s; I’m talking about "Dracula A. D. 1972" (1972) and "The Satanic Rites of Dracula” (1973). It was also the inspiration for the haunting cult Indie "Lemora: A Child's Tale of the Supernatural" (1973). While it’s currently an all-but-forgotten cult film, what made it so influential at the time is the successful transference of the basic Dracula story to modern times. In this case the City of Angels in SoCal, which made it more relatable to people of 1969 (when it was shot), the summer of the Manson murders. Despite the micro-budget, there’s a serious, creepy air and several memorable scenes, like the late-night guests who prattle on and won’t leave. It has the confidence to take it’s time and not rush things. Expect the staples of the Dracula flicks, albeit in a new (at the time) variation, such as Drac’s repulsive house servant, his trio of undead wives, and a substitute for Dr. Van Helsing (Roger Perry). Whereas Lee's Dracula was more diabolic, he was boring as a character and therefore had few words of dialogue. Quarry's Yorga, by contrast, is intriguing as a person, undead or not, similar to Langella's take in his 1979 version of “Dracula.” The success of "Count Yorga, Vampire" resulted in a sequel the next year, "The Return of Count Yorga." The flick runs 1 hour, 33 minutes, and was shot in Los Angeles. GRADE: B
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
When one of their own loses his wife and daughter at the hands of a serial killer, a team of ghost hunters is determined to capture the spirits of the loved ones so their spirits can finally rest in peace. But as the team goes deeper into the house, the ghosts become more hostile, and the group discovers the true secrets of the house and its murderer.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
A heavily overworked nurse is being stalked by a mysterious figure during her night shift in the nursing home. While trying to tend to everyone’s needs, she also has to deal with her stalker and pushes herself to extremes.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
