La gran revelación

Elissa Landi and Charley Chase host an East Asian themed garden tea party in Hollywood. After introducing a few Hollywood luminaries who are attending the party, they present a number of musical and/or dance performances to entertain the crowd. This set of performances also includes ethnic Chinese actress Anna May Wong modeling some fashions she brought back from her first ever trip to China. Through it all, one of the guests, already inebriated, is having a few problems mixing and serving the cocktails he wants.

Porky sets sail for the Boola-Boola islands in the South Seas with a ship full of general merchandise and plans to open a 5 & 10 cent store. But a swordfish cuts a hole in the ship and Porky's goods fall into the ocean, where the fish make creative uses of them, ultimately opening a Hollywood nightclub, complete with fish impersonating various stars.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Musical short.

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

A man and a woman have an awkward encounter at an indoor playground.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

With the help of Lévesque and Musidora, Feuillade creates a light-hearted meta-fiction, self-parodying his own work.

Ill-tempered Billy proves troublesome for fellow taxi drivers Franklin and Clyde.