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If I have to be objective, I would say that I can understand why some people criticize "The House by the Cemetery" for being a film that lacks of logical explanations all the way through. As a matter of fact, regardless of how much I love this film and how biased I can be, I admit that it is overflowing with nonsensical and misleading sequences that only add a little bit of confusion. This is not the only occasion in which Mr. Fulci is accused of being ambiguous and practically senile for developing such random and unsystematic states of affairs in one his films. However, it is not the only time in which the results are unquestionably effective and unforgettable either. I think we ought to accept by now that several Italian horror movies, let alone the ones directed by Mr. Fulci, are not exactly to be praised because of their plot and exceedingly appropriate logic. The high point in "The House by the Cemetery", along with many other films directed by Lucio Fulci, is without doubt the atmosphere and pleasant demonstration of fear-provoking imagery. In "The House by the Cemetery", Dr. Boyle moves to the countryside in New England with his wife, Lucy and his obnoxious little son, Bobby. His purpose is to continue an unfinished research and finding out what happened to his colleague, who killed himself and slaughtered his mistress for no apparent reason. Dr. Boyle, who is pretty excited about the research and the fact that he's going to earn five thousand dollars extra, tries to cope with the constant ranting coming from his wife and little Bob, who claims he sees a little girl who says they shouldn't go to the house. Despite the consequences, Dr. Boyle prepares for his research, without even considering that Bobby's so-called hallucinations and lies should be taken seriously. In the cellar of the house, there's something waiting for them. Something that is beyond anyone's nightmare and the Boyles are about to find out what it is. Like I said before, it seems that many people were deeply offended by the lack of logic and while I'm not saying that this is untrue, personally, I don't think it's a blameworthy feature. Building up an extremely sensible story, obviously wasn't Lucio Fulci's strongest suit. However, what this film lacks of logic is surpassed with other things, for instance, Dr. Freudstein, who is definitely one of the most horrendous baddies and his bone-chilling appearance throughout the last minutes. The sequence in which we see the family trying to fight against this outlandish creature, taken from Mr. Fulci's worst nightmares, is by far one of the most shocking and professionally made scenes I have witnessed in a horror movie. Not to mention that there's also a nice share of gore as a bonus for those who are always in the mood for brutal murders and guts all over the place. It seems like I may be one of the few who enjoyed the nonsensical succession, like for example, the flash-back in which little Mae sees mannequin losing her head, or the eyes close-up or the arrival of Ann to the house. Those were some of the most criticized and somehow far-fetched little details that I personally enjoyed, for contributing to develop Mr. Fulci's nightmarish atmosphere, which is somehow his trademark. The music is also one of the things I really enjoyed about this film, although it seems like not many people noticed that little nicety. It's quite melancholic and beautiful. The same music is used from the beginning until the end, which somehow helps to create a less fearful atmosphere in the right moments. I think "The House by the Cemetery" is one of those films that only pleases horror fans who can appreciate Mr. Fulci's movies for what they are, instead of focusing on the ambiguity and the lack of logic. This movie is enjoyable for its atmosphere and nightmarish sequences and frankly...I wouldn't want it any other way.
Not a big fan of Lucio Fulci but I did enjoy Zombie. However, The House by the Cemetery is a mess of a horror film with mysterious elements, like how Professor Norman had been to this town before, goes nowhere (not to mention the mystery surrounding Ann, the babysitter) and despite a short running time, feels really tedious. Beyond that, in Fulci form, and most Italian horror, the dubbing is pretty bad and characters make dumb decisions. On the positive side, at least the gore effects weren't bad and there were a few creepy moments, even Fraudstein's prosthetics effects weren't bad, but everything else supersedes anything good. **2.0/5**
The year is 1943 in Trondheim (Norway) and the nazigermans is trying a new experiment. A experiment to create "Super Soliders", but it didn't succeed. The germans canceled the experiment and order some soliders to dump the chemicals in a lake in Sweden called Önsjön. During the mission, the swedish military opend fire at the germansoliders and the bottom of the lake became the soliders grave. 30 years later, some teenagers are going to a musicfestival at Önsjön during their summerbreak. Party, beer and naked bath. It seemed to be a great festival, until the dead began to walk again.
Eric Hayes is a stringer. One notch below the lowest rung of the journalistic ladder. A video vulture preying on police chases, ambulance runs, and random street violence, selling his footage to the highest bidder and living on a steady diet of cigarettes and bloodlust. For years, Eric has lived off of other people's pain and misery. But he's about to discover something beneath the streets of Los Angeles even hungrier for blood than he is. He's about to discover THE GHOULS.
In Guesta Verde University, the deranged Professor Curien is trying to bring back the dead, killing students for the experiment. There is an outbreak of zombies in the campus, and the government sends a NSA medical research team, formed by Dr. Alexandra Morgan a.k.a. Nightingale and lieutenant Ellis, with a special force leaded by lieutenant Dalton, trying to get the zero sample from the first generation zombie. The team has a very short time to accomplish their mission and leave the place before missiles are sent to destroy the area. However, the place is crowded of hyper sapiens and the group has to fight to survive.
Set against Sin City, Las Vegas, a fashion photographer whose vocation is murder becomes a voyeuristic nightmare of blood, sex, and brutality.
A melodic massacre featuring a young love struck lesbian couple, two bigoted old ladies, a postman delivering death and a chorus line of fabulous feathered flesh eating zombies.
A gorilla escapes from a Mexican zoo and goes on a bloody rampage through a small town.
When zombies go on a rampage, terrorizing a town, the residents are determined to take down the undead before it's too late in this indie flick.
A man and his daughter are attacked in the woods by what they believe is a Bigfoot-type creature. However, they soon begin to suspect that they may have stumbled onto a nest of aliens in a hidden spacecraft.
A small-town Sheriff discovers there is something wrong with the sleepy town of Golden Torch, and he quickly realizes he may not get out alive.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.