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If I have to be objective, I would say that I can understand why some people criticize "The House by the Cemetery" for being a film that lacks of logical explanations all the way through. As a matter of fact, regardless of how much I love this film and how biased I can be, I admit that it is overflowing with nonsensical and misleading sequences that only add a little bit of confusion. This is not the only occasion in which Mr. Fulci is accused of being ambiguous and practically senile for developing such random and unsystematic states of affairs in one his films. However, it is not the only time in which the results are unquestionably effective and unforgettable either. I think we ought to accept by now that several Italian horror movies, let alone the ones directed by Mr. Fulci, are not exactly to be praised because of their plot and exceedingly appropriate logic. The high point in "The House by the Cemetery", along with many other films directed by Lucio Fulci, is without doubt the atmosphere and pleasant demonstration of fear-provoking imagery. In "The House by the Cemetery", Dr. Boyle moves to the countryside in New England with his wife, Lucy and his obnoxious little son, Bobby. His purpose is to continue an unfinished research and finding out what happened to his colleague, who killed himself and slaughtered his mistress for no apparent reason. Dr. Boyle, who is pretty excited about the research and the fact that he's going to earn five thousand dollars extra, tries to cope with the constant ranting coming from his wife and little Bob, who claims he sees a little girl who says they shouldn't go to the house. Despite the consequences, Dr. Boyle prepares for his research, without even considering that Bobby's so-called hallucinations and lies should be taken seriously. In the cellar of the house, there's something waiting for them. Something that is beyond anyone's nightmare and the Boyles are about to find out what it is. Like I said before, it seems that many people were deeply offended by the lack of logic and while I'm not saying that this is untrue, personally, I don't think it's a blameworthy feature. Building up an extremely sensible story, obviously wasn't Lucio Fulci's strongest suit. However, what this film lacks of logic is surpassed with other things, for instance, Dr. Freudstein, who is definitely one of the most horrendous baddies and his bone-chilling appearance throughout the last minutes. The sequence in which we see the family trying to fight against this outlandish creature, taken from Mr. Fulci's worst nightmares, is by far one of the most shocking and professionally made scenes I have witnessed in a horror movie. Not to mention that there's also a nice share of gore as a bonus for those who are always in the mood for brutal murders and guts all over the place. It seems like I may be one of the few who enjoyed the nonsensical succession, like for example, the flash-back in which little Mae sees mannequin losing her head, or the eyes close-up or the arrival of Ann to the house. Those were some of the most criticized and somehow far-fetched little details that I personally enjoyed, for contributing to develop Mr. Fulci's nightmarish atmosphere, which is somehow his trademark. The music is also one of the things I really enjoyed about this film, although it seems like not many people noticed that little nicety. It's quite melancholic and beautiful. The same music is used from the beginning until the end, which somehow helps to create a less fearful atmosphere in the right moments. I think "The House by the Cemetery" is one of those films that only pleases horror fans who can appreciate Mr. Fulci's movies for what they are, instead of focusing on the ambiguity and the lack of logic. This movie is enjoyable for its atmosphere and nightmarish sequences and frankly...I wouldn't want it any other way.
Not a big fan of Lucio Fulci but I did enjoy Zombie. However, The House by the Cemetery is a mess of a horror film with mysterious elements, like how Professor Norman had been to this town before, goes nowhere (not to mention the mystery surrounding Ann, the babysitter) and despite a short running time, feels really tedious. Beyond that, in Fulci form, and most Italian horror, the dubbing is pretty bad and characters make dumb decisions. On the positive side, at least the gore effects weren't bad and there were a few creepy moments, even Fraudstein's prosthetics effects weren't bad, but everything else supersedes anything good. **2.0/5**
The discovery of a perfectly preserved caveman prompts a mad scientist to attempt a daring brain transplant.
In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn into the occult world.
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
A high-school student and a drug pusher land in a nuclear-wasted river and come out zombies.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
A group of unlikely companions receive a radio call leading to a deserted house with a grisly past.
A group of individuals are trapped in a resort where there's a zombie outbreak. Can they get out of the place alive?
Debra is trapped inside the mind of her own uncontrollable zombie body - a zombie body that is hungry for brains!
An invitation to the class reunion has arrived. It was a pension in Shinshu that she visited five years ago during a tennis training camp for my high school club. One girl who was there committed suicide. Why a class reunion in such a place... Six friends and one teacher meet again after a long time. From that night onwards, a series of murders begins, with participating women being brutally raped and then killed. What was the criminal's intention? Who will be killed next? While everyone trembles in fear, the evil hand finally approaches the office lady...
Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!