Pink Butterfly 2024 - Movies (Dec 22nd)
Catching Dust 2023 - Movies (Dec 22nd)
A Normal Family 2023 - Movies (Dec 22nd)
Sonic the Hedgehog 3 2024 - Movies (Dec 22nd)
Model House 2024 - Movies (Dec 22nd)
Four Souls of Coyote 2023 - Movies (Dec 22nd)
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Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
Diabolik - Who Are You 2024 - Movies (Dec 21st)
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Battle for Disclosure 2024 - Movies (Dec 21st)
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Heightened 2023 - Movies (Oct 2nd)
The Simpsons - (Dec 23rd)
Sunday Brunch - (Dec 22nd)
Taisho Era Contract Marriage- The Substitute Bride and a Soldiers Fierce Love - (Dec 22nd)
The Worlds Strongest Man - (Dec 22nd)
Saturday Kitchen Best Bites - (Dec 22nd)
You Bet - (Dec 22nd)
The Last American Vagabond - (Dec 22nd)
Alex Witt Reports - (Dec 22nd)
Inside the Factory - (Dec 22nd)
Inside with Jen Psaki - (Dec 22nd)
Fletchers Family Farm - (Dec 22nd)
Love Your Weekend with Alan Titchmarsh - (Dec 22nd)
Girl Meets Farm - (Dec 22nd)
Face Jams Truckd Up - (Dec 22nd)
Blue Box - (Dec 22nd)
Krempoli - A Place For Wild Children - (Dec 22nd)
The Kelly Clarkson Show - (Dec 22nd)
The Chocolate Queen - (Dec 22nd)
Miss Scarlet and the Duke - (Dec 22nd)
Invincible Fight Girl - (Dec 22nd)
Your beauty is exquisite. Victorian London, Whitechapple, and some maniac is slaughtering women with stage backgrounds. Could it be that the mysterious Mr. Slade who has rented the upstairs rooms from Mrs Burton, is the man known as Jack the Ripper? This part of London is cloaked in fog, the cobbled streets damp and bearing witness to unspeakable crimes, the gas lights dimly flicker as the British Bobby searches in vain for Bloody Jack. The scene is set for what is to me the finest adaptation to deal with the notorious murderer, Jack the Ripper. A remake of the Alfred Hitchcock silent from 1927, this adaptation of the Marie Belloc Lowndes novel not only looks great (Lucien Ballard's photography creating fluid eeriness and film noir fatalism) but also chills the blood without ever actually spilling any. It's a testament to John Brahm's direction that the film constantly feels like a coiled spring waiting to explode, a spring that is realised in the form of Laird Cregar's incredibly unnerving portrayal of Mr Slade. Laird Cregar, as evidenced here, was a fine actor in the making. Sadly troubled by his weight and yearning to become a true matinée idol, he crashed dieted to such a degree his poor 28 year old heart couldn't cope with the shock. After just 16 films, of which this was his second to last, the movie world was robbed of a truly fine performer, a sad story in a long line of sad incidents that taint the Hollywood story. George Sanders and Merle Oberon (as police inspector and Slade's infatuation respectively) engage in a less than fully realised romantic strand, and Cedric Hardwicke dominates all the scenes that don't feature the might of Cregar, but really it's the big man's show all the way. Creepily enhanced by Hugo Friedhofer's score, The Lodger is a lesson in how to utilise technical atmospherics. The moody atmosphere here hangs heavy and the sense of doom is palpable in the extreme, it comes as something of a relief when the ending finally comes, for then it's time to reflect and exhale a sigh of relief. Deviating from the novel, something which has over the years annoyed purists, The Lodger shows its hand very much from the off, yet this in no way hurts the picture. In fact if anything the exasperation at the supporting characters induces dry humour, The kind that comes in the form of nervous giggles out there in the dark, but rest assured, this is no comedy, it's a creepy classic from a wonderful era of film making. 9/10
This is quite a suspenseful drama set amongst the murderous goings-on of "Jack the Ripper" in Whitechapel in 19th century London. Laird Cregan is "Slade" - an imposing, secretive, man who takes up lodgings with Sir Cedric Hardwicke and his wife Sara Allgood. Gradually his nocturnal habits begin to arouse her suspicion, and coupled with the ongoing "Ripper" fears, they begin to suspect that he may not be on the level. These tensions begin to heighten when "Slade" meets their music-hall star niece "Kitty" (Merle Oberon) who also lodges with them. They enlist the help of "Insp. Warwick" (George Sanders) who is already working on the "Ripper" case (and who is also quite keen on "Kitty" too!), and together they have to act quickly to prevent more killings. It's atmospheric and well paced; the cast all deliver well and the ending - it reminded me a bit of "Phantom of the Opera" (1943) - is quite a climactic affair. Cregan has something sinister about him from the start - and his eyes do much of his acting for him here - full of menace. Oberon plays the damsel in distress quite convincingly, too. John Brahm and Barré Lyndon have collaborated well here and it is well worth a watch on a dark night!
When Alyssa's 17-year-old son Jason commits suicide, something doesn't sit right. As she and her daughter Danni begin to take a deeper look in the circumstances surrounding Jason's death, they discover that he may have been involved in something they never dreamed a kid like Jason would ever take part in.
A college paleontology professor acquires a newly discovered specimen of a coelecanth, but while examining it, he is accidentally exposed to its blood, and finds himself periodically turning into a murderous Neanderthal man.
Steve is a man who has it all, a successful career, wonderful children, beautiful home and a loving wife. However, returning to his home after work on his birthday, he finds his house deserted and darkened with almost all the lightbulbs missing, all easy access outside cut off and a videotape waiting for him. Playing that tape, he watches a bizarre and grueling recording in which his wife explains her grievance with him, her reasons for disappearing with the children and her revenge for how he treated her in a way he would never forget.
"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?
After being the best hit man of all time, now he has to be the victim of a revenge that not even with all the men in the world could finish him off. However, they only left him with a thirst for revenge which increased his level of cruelty to settle scores, because if anyone knows about this perverse business, it is the famous Quebrantahuesos.
A fickle and unfaithful husband, Antonis, tries to drive his rich wife crazy so that he can get his hands on her fortune, with the chauffeur and his lover as accomplices. In order to succeed, he fakes his own death, but fate, as usual, plays its own game. A game in which an old friend of his wife is also involved, a reporter on the police beat, Bekas, who is trying to solve a mystery in which strange phenomena come one right after the other, and doubts never seem to end.
Adapted from Nikos Foskolos’ theatrical play. On a terribly stormy night, in a secluded hotel, the owner, Brigadier Norton, is murdered. Prime suspects: his daughter Elena, his second wife Liza, Liza’s niece and her fiancé, Norton’s physician, and the hotel staff. Inspector Fox and his assistant, policeman Petridis, are assigned the investigation of the crime. While the suspects’ questioning is under way, some more people arrive at the hotel: detective Tilemachos Christofis with his assistant Aliki, and lieutenant Karalis, a sworn enemy of the victim, complicating things even more.
In Athens a collection of emeralds is successfully stolen by a team of robbers, led by safe-cracker Azad. Things go smoothly until they miss the ship by which they planned their escape; a police chief pursues Azad while he waits for the next ship to set off.
A neurological pandemic has consumed the population. Drug-resistance has mutated the virus into a ravaging psychological plague, rendering the 'the dying' desperate, paranoid and violent
Angela Baker escapes from a mental hospital and surfaces at a summer camp as a counselor who lectures her teenage charges on proper moral behavior. Those teens who break her strict rules - from the camp chatterbox or a sex-obsessed girl to the boys who are peeping Toms - are murdered by the impostor in various gruesome ways. As more campers go missing, intrepid counselor Molly begins to piece together the truth.
Psychotic Angela is itching to do what she does best: slaughter dozens of teenage campers. As luck would have it, the previous site of her murders has been renamed and converted into an experimental summer camp meant to bring together privileged and lower-class teens. On the day the youths are boarding the buses to camp, Angela runs over a potential camper with a garbage truck and assumes her identity. Once she has infiltrated the camp, the real terror begins.