Io sto con la sposa

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.

Filmmaker Arturo Perez Torres follows in the footsteps of two friends traveling on an extraordinary and extremely dangerous journey from Central America to North America. On their journey they encounter gangs and vigilantes as well as border patrol. But these immigrants navigate real-life nightmares with uncanny calm, grace and even humor in their perilous pursuit of the a better life.

Because of the poor employment situation in Finland, many families and single people decided to move to Sweden to seek employment in the 1960s and 70s. The move was considered temporary and it affected people’s ways of making themselves at home in the new country; they did not even try to adapt or learn the language of the country. At that time, the nicknames “Finnjävel” and “Hurri” were well-known to Swedish-Finnish youngsters: In Sweden, they were regarded as Finns; and the other way around. As neither nation’s citizens approved them as their own, the Sweden Finns had to create their own identity. But what kind of lives do these immigrants’ children and grandchildren live today? Jonas Karén was born in a Finnish family in Husby’s suburb 1980.

Over a thousand immigrant workers from the highland of Maya community of Jacaltenango, Guatemala live and work in Jupiter, Florida, a costal resort town. The two towns are thousands of miles apart. Brother Towns/Pueblos Hermanos, filmed in both Guatemala and the U.S., chronicles how and why people migrate across borders, how people make and remake their communities when they travel far from home, and how people maintain families despite their travel. Brother Towns/Pueblos Hermanos is story of local and international controversy. News of undocumented immigrants is familiar in nearly every community across the U.S., and citizens must choose how they respond to this issue. Our story includes voices of those opposed to undocumented immigrants as well as advocates helping migrants who seek work and hope, whether documented or not.

The filmmaker Jeppe Rønde has invited 10 of the world's foremost researchers - and a robot! - to rethink our relationship with technology and its dilemmas from the outside. Philosophers, anthropologists, archaeologists and programmers show us through their thought experiments that our relationship with technology is just as much about our relationship with ourselves.

Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.

Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv - native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

A group of children living on the streets of Athens. Among them is Sayid, a twelve-year-old boy, who works all day selling sunflower seeds in the city’s parks and squares. His existence borders on absolute poverty, as he goes looking for food at soup kitchens. His daily routine in the chaotic capital of Greece is a continuous struggle for survival. At the same time, however, he manages to find and enjoy the freedom the city streets can offer. Sayid, along with his friends who are all immigrants from Afghanistan, escape their desperation by clinging onto their hopes. With them, he plays innocent childhood games and dreams of a better future: He wants to leave for Northern Europe, to go to school, and to get a decent job when he grows up. Sayid is trapped in Greece, a country plagued by a financial crisis, increasing unemployment, rampant xenophobia, and racist violence. Sayid doesn’t mince his words: “I’ve been here for about two years, and it feels like twenty.”