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Lucy Harbin took an axe, gave her husband 40 whacks….. …..when she saw what she had done, she gave his girlfriend 41. Strait-Jacket is produced and directed by William Castle and written by Robert Bloch. It stars Joan Crawford, Diane Baker, Leif Erickson, Howard St. John, Rochelle Hudson and George Kennedy. Music is by Van Alexander and cinematography by Arthur E. Arling. Lucy Harbin (Crawford) has spent 20 years in a mental asylum for the brutal axe murders of her husband and his mistress. Released back into society, Lucy goes to live at the farm of her brother Bill (Erickson), where Lucy's grown up daughter Carol (Baker) also resides. Pretty soon, though, Lucy is plagued by horrible visions and begins to hear upsetting things, and now it seems that the people she is coming into contact with are being brutally murdered….with an axe. Grand Dame Guignol It seems on odd blend on first glance, Oscar winner Crawford paired up with Castle, maestro of the gimmick led movie, producing a film written by Bloch, author of the novel that would become Hitchcock's Psycho. Yet while it's hardly a true horror picture, the kind to have you gnawing away at your nails, it's unashamedly fun whilst carrying with it a bubbling under the surface sense of dastardly misadventure. Sensibly filming it in moody black and white, Castle, who certainly wasn't the most adventurous of directors, did have a sense for tone and an awareness of what worked for his target audience. Strait-Jacket is a solid murder mystery on the page, and on the screen it's coupled with some flashes of axe wielding terror. Having a woman who is the protagonist-who may be the antagonist-also adds bite to Castle's production, but he, and his film, are indebted to Crawford and her wonderful OTT trip into self parody. Joan Blondell was all set to play Lucy Harbin, but an accident at home meant she was unable to fill the role. Castle got lucky, he needed a star, and with Whatever Happened to Baby Jane? Reinvigorating Crawford's career two years previously, Crawford was once again a name actress. Bumping into Crawford at a party, Castle sold the pitch to her, even bluffing her that the part was written with her in mind. It was a goer, but Crawford held sway with all the decisions, including script rewrites and choice of staff to work on the picture with her. It paid off, because after what was largely a trouble free shoot , film was a success and Castle had one of the best films of his career. Here Castle had the ultimate gimmick to sell his film, Crawford herself, although he couldn't resist some sort of tie-in so had millions of tiny cardboard axes made up to give to paying punters at the theatre. Sure it's a film that nods towards Psycho and Baby Jane et al, but the denouement here more than holds its own, while there's also a glorious bit of fun to be observed at the end with the Columbia Torch Lady logo suitably tampered with. Those actors around Crawford invariably fall into her shadow, but it's a mostly effective cast and Arling's photography blends seamlessly with the unfolding story. So not outright horror, then, more a psychological drama with some horror elements. But, which ever way you look at it, Crawford's performance is value for money as she files in for a bit of psycho- biddy. 7.5/10
Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they're witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?
Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.
American crime reporter John Jones is reassigned to Europe as a foreign correspondent to cover the imminent war. When he walks into the middle of an assassination and stumbles on a spy ring, he seeks help from a beautiful politician’s daughter and an urbane English journalist to uncover the truth.
After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.
A young psychiatrist applies for a job at a mental asylum, and must pass a test by interviewing four patients. He must figure out which of the patients, is in fact, the doctor that he would be replacing if hired.
It's winter in a small Scottish village near the sea, and multiple lives intersect in a day. Frances has just lost her husband to an early death, so her mother, Elspeth, travels to Frances' house to reconnect with her daughter and grandson, Alex. Meanwhile, old women Chloe and Lily go to a funeral, youngsters Sam and Tom cut class, and Alex gets a crush on tomboy Nita.
When a young mother speaks out against the Taliban, she and her husband are forced to flee their home and country with their three sons. Embarking on a long and terrifying journey across Russia and through Europe, they seek final refuge in the UK. But, as their eldest son’s life-threatening heart condition worsens and requires urgent surgery, their escape soon becomes a race against time. Amit Sharma directs this widely acclaimed stage version of The Boy with Two Hearts (BBC Radio 4 Book of the Week). Based on extraordinary real-life experiences, it is a powerful story of hope, courage, and humanity – and a heartfelt tribute to the NHS.
One night, a female demon attacks Rick, a contentedly married man. Under the spell of the demon, he takes a beautiful young woman, Ariel, off to an isolated house for a weekend fling. There, bizarre and frightening things happen, and accidentally Rick kills Ariel. But she won't stay dead. He soon realizes that she is the demon that first attacked him. He defends himself by killing her again. And again. But no matter how many times he kills her, she keeps coming back
Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong.
Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.