Arcadian 2024 - Movies (May 1st)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (May 1st)
The Peasants 2023 - Movies (May 1st)
Sick Girl 2023 - Movies (Apr 30th)
The Portable Door 2023 - Movies (Apr 30th)
Great White Fight Club 2023 - Movies (Apr 30th)
Three Dates to Forever 2023 - Movies (Apr 30th)
Candid About Love 2023 - Movies (Apr 30th)
The Fall Guy 2024 - Movies (Apr 30th)
The Long Game 2023 - Movies (Apr 30th)
Cabrini 2024 - Movies (Apr 30th)
Madame Web 2024 - Movies (Apr 29th)
Honeymoonish 2024 - Movies (Apr 29th)
Priscilla 2023 - Movies (Apr 29th)
Romance at the Vineyard 2023 - Movies (Apr 29th)
The Stones and Brian Jones 2023 - Movies (Apr 29th)
Blood for Dust 2023 - Movies (Apr 29th)
Earthquake Underground 2024 - Movies (Apr 29th)
Revealed How to Poison a Planet 2024 - Movies (Apr 28th)
Branching Out 2024 - Movies (Apr 28th)
The Assembly 2024 - Movies (Apr 28th)
Moonshiners- Master Distiller - (May 1st)
Dark Side of the Ring - (May 1st)
Vanderpump Rules - (May 1st)
The Big Valley - (May 1st)
Under the Bridge - (May 1st)
Moonshiners - (May 1st)
Mud Madness - (May 1st)
Wildcard Kitchen - (May 1st)
Little People, Big World - (May 1st)
Farmhouse Fixer - (May 1st)
Body Cam - (May 1st)
Loot - (May 1st)
The Big Door Prize - (May 1st)
Palm Royale - (May 1st)
Acapulco - (May 1st)
Alert- Missing Persons Unit - (May 1st)
The Price Is Right - (May 1st)
The Last American Vagabond - (May 1st)
Hannity - (May 1st)
Tucker on X - (May 1st)
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?
Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.
Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.
Opon + Pasil + Tres + Echavez + Naval + Ormoc + Valencia. It’s Saturday and it’s black.
A erotic drama chronicles the amorous exploits of a winsome young bride. When her affluent but crippled spouse fails to fulfill her physical desires, she seeks sexual satisfaction outside her marriage by taking a lover. Sunshine Cruz delivers a standout performance in a supporting role.
Jerry is a wide-awake tourist guide in Cebu who knows all the angles, and who has supported his divorced mother and younger brother and sister since their musician father deserted the family for a younger woman. Jerry guides tour buses, taking the mostly Japanese tourists boating, golfing and to strip shows. Jerry also acts as a pimp, and even prostitutes himself. As the breadwinner he makes sacrifices for his family but wields control over his siblings and mother in return
Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.