A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Bonhoeffer Pastor. Spy. Assassin 2024 - Movies (Jan 21st)
Sniper The Last Stand 2025 - Movies (Jan 21st)
Nosferatu 2024 - Movies (Jan 21st)
The Damned 2024 - Movies (Jan 21st)
Sonic the Hedgehog 3 2024 - Movies (Jan 21st)
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Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Murder at First Swipe 2024 - Movies (Jan 20th)
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The Outrun 2024 - Movies (Jan 20th)
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Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
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Admissions Granted 2024 - Movies (Jan 19th)
The Last Word with Lawrence ODonnell - (Jan 21st)
The 11th Hour with Stephanie Ruhle - (Jan 21st)
Wizards Beyond Waverly Place - (Jan 21st)
Joselines Cabaret Texas - (Jan 21st)
Baddies Midwest - (Jan 21st)
The Chase Australia - (Jan 21st)
Rip Off Britain - (Jan 21st)
Watch What Happens Live with Andy Cohen - (Jan 21st)
Ultimate Police Interceptors - (Jan 21st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
It was quite odd watching this because I was just a little younger than the character of "James" (William Eadie) living in Glasgow in the 1970s. I remember the nine-week long dustmen strike that left tons of rubbish piled up all over the place. We lived in a mouse-infested one bed flat similar to the ones in the tenement buildings featured here, and that canal - well it was an overgrown, disease-ridden, deathtrap that had long been abandoned to nature. Back then, there was still ample waste ground - bomb damaged and cleared after the war, for us kids to play on, and that's what we did. Nobody had a car or a phone - or, for that matter, a washing machine, so when he goes out to play no wonder he was meant to tuck his trouser legs into his wellies! Mind you, I'd have thought the canal way too cold for him and his mate "Ryan" (Thomas McTaggart) to be be mucking around in, but that is what they are doing when tragedy strikes. It's this that forms the bedrock for this engagingly observational story of him and his life with his drunk of a father (Tommy Flanagan); caring, but no-nonsense mother (Mandy Matthews) and young sister. The photography powerfully depicts the squalor in which they live, ever hopeful that the folks from the council are going to come and offer them a new home on the city's outskirts where "James" dreams of having a real plumbed bath and a field of corn to play in. He also befriends "Margaret Anne" (Leanne Mullen), a slightly older girl who spends much of her time giving his mates their first semi-sexual experiences in her flat or in the cludgie. Alone else remember the "nit comb"? That actually proves to be the most unlikely of romantic conduits as the two use that and a hefty dose of eye-watering carbolic soap to discover a bond, a companionship, and some genuine moments of affection. Eadie is great here, he delivers in a most natural of styles and aided by Flanagan as his permanently sozzled but never violent father, by Matthews and by the remarkably engaging effort from his "retarded" neighbour "Kenny" (John Miller), presents us with a sense of a family and a community that certainly speaks most of the time in swear words, but still has standards of decency and a strong sense of looking out for each other. We were never a community that showed affection in any sentimental sense and with virtually no technology to rely on, we made our own entertainment - however grubby and dangerous it might look nowadays. Lynne Ramsay portrays that gritty urban living potently and plausibly here whilst remembering that this city is also populated by some of the most entertainingly sarcastic people on Earth. The "schemes" of Glasgow were nowhere to to live in 1973, but everyone was in the same boat - and that is really effectively demonstrated in this poignant search for hope, freedom and some hot water.
A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.
A naïve but internet savvy 22 year old navigates the reality of her boring, small town Canadian life juxtaposed with the fantasy of her provocative and powerful Instagram celebrity.
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
Inspired by the music and life of Robert Wyatt, “Rock Bottom” is a self-destructive love story between Bob and Alif, a young couple of artists immersed in the creative whirlwind of the early 70s hippie culture. Drugs will turn a passionate summer into a nightmare in a journey through the themes of Wyatt’s music: the euphoria and anguish of artistic creation, the unconscious fascination with drugs, the disenchantment with routine and physical and mental degradation.
A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.
"White Water" is a short drama about lumberjack country. Nell Shipman plays a girl in love with nature and animals. One day she meets a crippled boy, who sings for pocket change. When she finds out that the boy is badly malnourished, Nell Shipman takes him under her wing and finds work for his elder brother. Then one day disaster strikes when the boy, who can't swim, falls into the river and is carried downstream. Nell Shipman jumps in a canoe and paddles frantically to reach the boy before the current takes him to the rapids, where mortal danger awaits.
To ease her homesickness Miriam recreates an aspect of home in her suburban British garden. Cultural memory exerts a healing power, combatting cultural appropriation, hostility towards migrants and the rift between Miriam and her Nigerian-British children.
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.