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It was quite odd watching this because I was just a little younger than the character of "James" (William Eadie) living in Glasgow in the 1970s. I remember the nine-week long dustmen strike that left tons of rubbish piled up all over the place. We lived in a mouse-infested one bed flat similar to the ones in the tenement buildings featured here, and that canal - well it was an overgrown, disease-ridden, deathtrap that had long been abandoned to nature. Back then, there was still ample waste ground - bomb damaged and cleared after the war, for us kids to play on, and that's what we did. Nobody had a car or a phone - or, for that matter, a washing machine, so when he goes out to play no wonder he was meant to tuck his trouser legs into his wellies! Mind you, I'd have thought the canal way too cold for him and his mate "Ryan" (Thomas McTaggart) to be be mucking around in, but that is what they are doing when tragedy strikes. It's this that forms the bedrock for this engagingly observational story of him and his life with his drunk of a father (Tommy Flanagan); caring, but no-nonsense mother (Mandy Matthews) and young sister. The photography powerfully depicts the squalor in which they live, ever hopeful that the folks from the council are going to come and offer them a new home on the city's outskirts where "James" dreams of having a real plumbed bath and a field of corn to play in. He also befriends "Margaret Anne" (Leanne Mullen), a slightly older girl who spends much of her time giving his mates their first semi-sexual experiences in her flat or in the cludgie. Alone else remember the "nit comb"? That actually proves to be the most unlikely of romantic conduits as the two use that and a hefty dose of eye-watering carbolic soap to discover a bond, a companionship, and some genuine moments of affection. Eadie is great here, he delivers in a most natural of styles and aided by Flanagan as his permanently sozzled but never violent father, by Matthews and by the remarkably engaging effort from his "retarded" neighbour "Kenny" (John Miller), presents us with a sense of a family and a community that certainly speaks most of the time in swear words, but still has standards of decency and a strong sense of looking out for each other. We were never a community that showed affection in any sentimental sense and with virtually no technology to rely on, we made our own entertainment - however grubby and dangerous it might look nowadays. Lynne Ramsay portrays that gritty urban living potently and plausibly here whilst remembering that this city is also populated by some of the most entertainingly sarcastic people on Earth. The "schemes" of Glasgow were nowhere to to live in 1973, but everyone was in the same boat - and that is really effectively demonstrated in this poignant search for hope, freedom and some hot water.
After tragedy strikes, a meek Ruby Oliver enters a broken VR game for a last chance to see the dead. Little does she know that this game treats all girls as a virus as she fights to save herself.
After "The Poseidon Adventure", in which the ship got flipped over by a tidal wave, the ship drifts bottom-up in the sea. While the passengers are still on board waiting to be rescued, two rivaling salvage parties enter the ship on search for money, gold and a small amount of plutonium.
Amy's father, Franco, was a popular rock musician accidentally electrocuted while performing on stage. The psychological trauma leaves Amy mute and deaf. So the 8-year-old is brought by her mother, Tanya, to Melbourne to diagnose the reasons for her continued silence.
Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.
Henry, a young actor, finds himself involved in a film by cinema superstar, Cédric Rovere. Charmed by his benevolence, feelings hitherto unknown are aroused, while Rovere, intrigued by Henry's dream, lives this shoot as an unexpected gift.
An insurance agent, Gloria, finds out she has only three months to live. She quits the job she has always hated and starts to follow her own wish to live.
Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.
Maquette 1:1000 investigates a Taiwanese young architect’s self-awareness through the observation of two difference cities. Impacted by the cultural shock in the foreign environment of the West, Lan Lin makes her decision as she is again facing the same experience, unexpected pregnancy. Having the space-sensitive mind of an architect, she also reconstructs her artistic faith in her career within this extraordinary journey.
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
Kate Soffel is married to a prison warden in Pittsburgh, and is the mother of their four children. Ed Biddle is a convicted murderer awaiting execution on death row with his brother Jack. When Kate meets Eddie through her Bible readings to the prisoners, she is drawn to him, and they pursue a clandestine relationship. She agrees to help the brothers escape, and begins a treacherous journey with them to freedom in Canada.
All her life, Lizelle Jimenez has always searched for love. When she met Dr. Adrian Benitez, she couldn’t ask for more. He showered her with love and affection and she has never felt so special. There is one thing Lizelle is struggling with as they live together- fitting in Adrian’s world. Coming from humble beginnings, Lizelle finds it difficult to belong.