Alright, a bit of full disclosure to start - I don't think I've seen a Paul Naschy movie until now. I know, I know, that's pretty shocking for any serious fan of horror movies. I'm well versed in the Italian branch of the Euro horror family tree, particularly the giallos of Argento, Fulci, Bava etc. But I've been quite lax in my efforts to investigate the Spanish branch, despite regularly hearing Naschy's name bandied around with that of fellow countryman Jesse Franco (another hole in my viewing experience). Anyway, that admission aside, I do realise that **The People Who Own The Dark** is not a typical Naschy film. Here he has something of a supporting role, and a convetional one at that, but he does team up with regular collaborator Klimovsky, the Argentinian director who directed eight of his films. **The People Who Own The Dark** is an effective post-nuclear survival tale that throws together a group of rich, influential men (including Naschy; Alberto de Mendoza, **THE CASE OF THE SCORPION'S TAIL**; and Antonio Mayans, **ZOMBIE LAKE**) with a number of beautiful models for a weekend of pleasure in the basement of a castle somewhere in Europe - kind of an upmarket swingers' retreat. But before they can get down to business, nuclear war breaks out. The guests are safe in their underground bunker, but everyone else in the surrounding countryside, including a nearby village, is left blind by the blast. Venturing out to get supplies, the group of protagonists soon realises these blinded, half-insane villagers are not interested in becoming facebook friends. They want to kill the sighted (how they know the difference is beyond me, but what the heck). Barricading themselves in the castle, the non-blind soon have to cope with the growing tension and paranoia in their group, as well as the villagers when they come looking for blood. Well, not exactly looking. More like stumbling. Naschy is great as the snake of the group, who is only interested in saving his own skin. The women are all beautiful, none moreso than German softcore queen Nadiuska (who also played Arnie's mother in **CONAN THE BARBARIAN**), who is the only one to get fully un-kitted. The female cast also includes Julia Saly (**NIGHT OF THE WEREWOLF**), Diana Polakov (in a supporting role four years before her feature role in the rip-roaring **SUPERSONIC MAN**) and Teresa Gimpera (**CRYPT OF THE LIVING DEAD**). Maria Perschy (**MURDERS IN THE RUE MORGUE**) is simply stunning as the host of the party. Klimovsky does a very good job of building suspense and dread with material that could have come off as corny. Scenes of dozens of blinded people surrounding a main character while waving walking sticks above their heads could have been campy, but instead is quite chilling. Comparisons with **Night of the Living Dead** are unavoidable. Trade zombies for staggering blind people, Pennsylvania for the European countryside and a farmhouse for a castle and you've got basically the same plot. Even the ending is similarly-bleak. But while it may be a ripoff of sorts, **The People Who Own The Dark** is effectively filmed with a great cast, so is definitely worth checking out.
A scientist develops a serum that can eradicate scar tissue. He tries it on a girl with a horribly disfigured face. It succeeds, but then he discovers the girl is an escaped mental patient from a local asylum.
Experiments in biological warfare have destroyed all but a few remnants of the human race. Alone in a lab, eight students work feverishly to create a vaccine before they are forced outside in search for food. It is then that the surviving scientists discover creatures mutated by the plague. Now they prepare to do battle against their worst fear: The Terror Within.
In 1880, Sir Robert Cargrave, a London physician known for his experimental work in paralysis treatment, is summoned to Gorslava by the mysterious Baron Sardonicus—who is now married to Cargrave's former wife, Maude—to treat his disfigurement. When Cargrave arrives, he finds the masked baron is a cruel sadist who has threatened to harm Maude if he is not successfully cured.
While dabbling in Satanism, Count Karstein resurrects Mircalla Karnstein who initiates him into vampirism. As a rash of deaths afflicts the village, Gustav the head of Puritan group leads his men to seek out and destroy the pestilence. One of his twin nieces has become inflicted with the witchcraft but Gustav's zeal and venom has trapped the innocent Maria, threatening her with a tortuous execution, whilst Frieda remains free to continue her orgy of evil.
A telepathic mutant recruits a post World War III TV game show warrior to lead her band of mutants to safety.
As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.
An evil witch brings back to life the infamous Elizabeth Bathory, who was executed several hundred years previously for murdering young women and bathing in their blood.
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected.