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***Unknown Hammer vampire flick is subpar, but has its attractions*** Early in the 19th century a dying vampire curses a Serbian village, which is visited fifteen years later by a sinister circus of vampires & their acolytes who seek to resurrect the diabolical Count via the blood of youths from the hamlet. “Vampire Circus” (1971-1972) is an obscure Hammer production from their declining years. It’s technically not as good as the contemporaneous “Countess Dracula” or the earlier “The Vampire Lovers” (1970), although it arguably contains more sensationalist thrills. Along with the slightly subpar vibe, it seems more dated than Hammer’s earlier Dracula flicks, like “Dracula, Prince of Darkness” (1966), “Dracula has Risen from the Grave” (1968) and “Taste the Blood of Dracula” (1970). If you can handle the low-rent, kitschy air there’s enough to appreciate here for fans of Gothic Hammer flicks. As usual, the colors are bright and the women are a highlight. This one features Domini Blythe as Anna, the vampire’s aide in the long prologue; Adrienne Corri as the Gypsy ringmaster; Christine Paul as Rosa, who has the hots for the Count’s cousin; Lynne Frederick as the winsomely youthful Dora; and Lalla Ward as the acrobat twin, Helga. No doubt later films “Something Wicked this Way Comes” (1983) and “Cirque Du Freak: The Vampire’s Assistant” (2009) were influenced by “Vampire Circus.” The movie runs 1 hour, 23 minutes and was shot at Pinewood Studios, Iver Heath, Buckinghamshire, England. GRADE: C+/B-
Dr. John Beck, recently married, decides to take his wife, Cathy, spelunking in Carlsbad Cavern. While there, Dr. Beck, who specializes in bats, is bitten by a fruit bat. He is then, inexplicably, transformed into a vampire bat. While he escapes and seeks help from another doctor, it is clear the treatments are not working. In fact, they are aggravating his condition. Dr. Beck unwittingly goes on a killing spree, catching the attention of Sergeant Ward.
Vampire Caleb Croft has awakened from his unholy slumber - with an insatiable lust for blood and the pleasures of the flesh.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
A nameless immigrant crosses the border leaving behind him a trail of blood and death. On his trail is an aging lawman seeking justice and redemption
Marie is a vampire with a thirst for bad guys. When she fails to properly dispose of one of her victims, a violent mob boss, she bites off more than she can chew and faces a new, immortal danger
Four women spend the night in an old deserted sanitarium on a mountain. They each in turn fall into the the evil hands of a doctor…
A man suffers from the curse of lycanthrope and seeks help from doctor and wife team. They both turn out to be vampires and end up dueling it out with the werewolf star.
A plastic surgeon and his nurse join a bizarre circus to escape from the police. Here he befriends deformed women and transforms them for his "Temple of Beauty". However, when they threaten to leave, they meet with mysterious accidents.
In this adaptation of Tolstoy's story the Wurdulak, a mentally ill patient known as Nicola flashes back to horrifying experiences that he encountered while driving through the country. Upon damaging his car, Nicola sets out for help, only to meet a mysterious family that lives in total fear of someone or something. This evil force slowly penetrates the household and thrusts each of its members into a frenzy of absolute terror!
Count Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband secretly launches into a series of affairs with the Count's resident "brides."
A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.