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Rounding out his cop trilogy that began with Kaakha Kaakha and Vettaiyaadu Vilayaadu, Gautham Vasudev Menon gives us yet another chapter from yet another cop's life, although this is more a character study of a cop than just one episode from his life. When his father is shot dead by a gangster, a teenaged Sathyadev (Ajith) yearns for revenge. But, should he cross the line between good and bad? Sathyadev chooses the good side and becomes a cop. He eliminates a most wanted gangster, Matthew ( Stunt Silva), by befriending one of his henchmen, Victor (Arun Vijay). A few years later, Sathyadev is attracted to Hemanika ( Trisha), a single mother and a dancer. But when Hemanika is murdered on the eve of their wedding, Sathyadev goes on a cross-country sojourn with her six-year-old daughter Esha ( Anikha). But, five years later, situations force him to put on his cop shoes after he stumbles upon an illegal organ harvesting group that is being led by a ghost from his past — Victor. The gang's next target is Thenmozhi ( Anushka), an intrepid young woman, and Sathyadev decides to protect her at all cost. Everyone has a moment in their lives when they have to choose what they want to become and in Yennai Arindhaal, both the protagonist and antagonist get such a moment. While Sathyadev chooses to be on the right side, loses people close to him of his choice and still manages to vanquish evil, Victor refuses to cross the line that separates the bad from the good. The director underscores this element in a crucial scene where Sathyadev and Victor speak to each other over a phone. Gautham splits the screen so that we see Sathyadev on one side and Victor on the other with a fine line separating these two characters. And, suddenly, an earlier scene where Sathyadev is deciding on what to become — a cop or a gangster — feels all the more important. He would have turned into another Victor if he had chosen the latter! Not surprisingly, Moondru Mugam, a film about a fearless cop and his two sons who grow up into contrasting characters, is playing on a TV screen during this scene. The romance segments of the film seem to be other versions of the romantic tracks we saw in Kaakha Kaakha (a bold young woman attracted to an enigmatic cop) and Vettaiyaadu Vilayaadu (middle-aged cop falling in love with a single mom). That is not to say they aren't interesting. Gautham is one filmmaker who knows how to write female characters and here, Thenmozhi and Hemanika are well-rounded characters. He, in fact, begins the film with Thenmozhi's life, just to tell us what kind of woman she is, rather than begin it with her first encounter with Sathyadev. And with Hemanika, he brings out the doubts that a divorced young woman with a child would have when she is courted by a decent man. But the film does seem less punchy than Kaakha Kaakha and Vettaiyaadu Vilayaadu; it falls a bit short when it comes to matching the emotional undercurrent in the former and the detective thriller beats in the latter. The thriller elements, especially, are subdued, mainly because the director is focused more on the character study aspect and so, the first half feels less exciting. A sub-plot involving another gangster only increases the running time without adding much to the plot. But once Victor enters Sathyadev's life, Gautham changes gears and we get the cop thriller that we were expecting. Arun Vijay, despite sharing certain resemblances with Gautham's villains from the other films, manages to be effective in this role. Though, the role of Victor's wife ( Parvathy Nair) is underwritten and we are baffled when he puts himself at risk for him in the climax. Ultimately, the film belongs to Ajith and the star is in such fine form here. Playing a character that gives him the chance to be someone his age, here, he turns on the charms when he is with the heroines and taps into the coolly aggressive and self-possessed persona that we saw in Mankatha and Billa. And, Gautham and cinematographer Dan Macarthur superbly capture the star's charisma and swagger (the actor sports four to five distinct looks throughout the film) that we cannot look at anyone else when he is on screen.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
Iwane Sakazaki returns to his homeland and gets caught in the middle of an incident that results in the tragic death of two of his best friends from childhood. He decides to leave his domain, parting with his fiancée Nao, and becomes a vagrant masterless samurai with nothing more to lose. Iwane drifts to Edo, filleting eels during the day and working as a bodyguard at night for Imazuya, a reputable money exchanger. He gradually wins the trust of the people around him because of his mellow nature, the chivalrous way he treats everyone with courtesy, and his skills of swords. One day, he learns that Imazuya is being targeted in a conspiracy to sabotage a new monetary system implemented by the government, and Iwane decides to protect the people who have given him support.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.