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Alan Titchmarshs Gardening Club - (Mar 10th)
Tipping Point - (Mar 10th)
Marie Antoinette - (Mar 10th)
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Panorama - (Mar 10th)
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First Dates - (Mar 10th)
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Australian Idol - (Mar 10th)
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Baddies Midwest and Baddies Gone Wild Auditions - (Mar 10th)
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I'm a sucker for revenge thrillers, essentially all they really have to do is not suck and I'm on board. And _Message from the King_ sure didn't suck. Even if it did, massive bonus points for the kid playing _Payday 2_. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Chadwick Boseman carries it no doubt, but I did feel entertained throughout by 'Message from the King'. It's a simple film. It doesn't do anything revolutionary or anything, yet still managed to keep me watching with interest for practically all of the 102 minute run time. I like how it starts most, with the connections feeling believable. It loses some of that as it goes on, though it didn't affect my enjoyment all that much. Boseman really is the only true star of this though, as he gives a very good performance in the lead role as Jacob. Luke Evans (Paul) is pleasant too, while Teresa Palmer (Kelly) has a few moments. Alfred Molina (Mike) also appears, as do Messrs Draco Malfoy and Brad Bellick... The ending isn't the greatest, though it is still serviceable. That coupled with the nice look of the film and a certain Mr. Boseman mean I'll remember this in a positive manner.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
LAPD K-9 officer Jake Rosser has just witnessed the shocking murder of his dedicated partner by a mysterious assailant. As he investigates the shooter’s identity, he uncovers a vast conspiracy that has a choke-hold on the city in this thrilling journey through the tangled streets of Los Angeles and the corrupt bureaucracy of the LAPD.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.