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The World is yours, my darling, but the moment is mine! Dr. Jekyll and Mr. Hyde is directed by Victor Fleming and collectively adapted from the Robert Louis Stevenson story by John Lee Mahin, Percy Heath and Samuel Hoffenstein. It stars Spencer Tracy, Ingrid Bergman and Lana Turner. Music is by Franz Waxman and cinematography by Joseph Ruttenberg. A remake of the 1931 Rouben Mamoulian/Fredric March version, this follows the same course of action that sees Tracy as the dual title characters. After having developed a potion that will ultimately bring out his evil half – it proves to not be good for anybody really! It’s the story itself, along with the awesome period setting of a foggy lamplighted Victorian England that stops this from sinking below average – though it does come close in the middle section. It’s just an odd fit, from the daft casting of Tracy and Bergman in the key roles, to the Hollywood Hayes Office compliant smoothness of the material, it becomes almost impossible to take seriously. Then there is a run time of nearly two hours, most of which is to bump up Bergman’s screen time, which while acknowledging her greatness as an actress, it’s just wrong across the board for her here. While alongside her Turner is sadly under written and Tracy’s take on Hyde lacks vim and vigour. Since a certain Mr. Freud had become in vogue there’s some interesting dream imagery and dissolves sequences, most of which ares bursting with sexual subtext. These moments are superb, but they do not form the backbone of our troubled protagonists, it’s a complete missed opportunity that renders the film as safe and glossy. This is an attempt at horror but without the horror, either visually, thematically or literary, a ripened banana skin of a pic with action missing in action. Yet it is not a desperately bad film, the film making craft on show is top dollar, notably when Ruttenberg is on duty, and it’s a little sensual - though this is kind of tempered by the thought of domestic abuse as a constant threat in our real world. The 41 version has fans, I’m just not one of them and readily prefer the monstrously potent 31 version. If you haven’t seen it then it’s definitely worth a look, but much of the criticism it has received over the years is in my book very much warranted. 5/10
The World is yours, my darling, but the moment is mine! Dr. Jekyll and Mr. Hyde is directed by Victor Fleming and collectively adapted from the Robert Louis Stevenson story by John Lee Mahin, Percy Heath and Samuel Hoffenstein. It stars Spencer Tracy, Ingrid Bergman and Lana Turner. Music is by Franz Waxman and cinematography by Joseph Ruttenberg. A remake of the 1931 Rouben Mamoulian/Fredric March version, this follows the same course of action that sees Tracy as the dual title characters. After having developed a potion that will ultimately bring out his evil half - it proves to not be good for anybody really! It's the story itself, along with the awesome period setting of a foggy lamplighted Victorian England that stops this from sinking below average - though it does come close in the middle section. It's just an odd fit, from the daft casting of Tracy and Bergman in the key roles, to the Hollywood Hayes Office compliant smoothness of the material, it becomes almost impossible to take seriously. Then there is a run time of nearly two hours, most of which is to bump up Bergman's screen time, which while acknowledging her greatness as an actress, it's just wrong across the board for her here. While alongside her Turner is sadly under written and Tracy's take on Hyde lacks vim and vigour. Since a certain Mr. Freud had become in vogue there's some interesting dream imagery and dissolves sequences, most of which are bursting with sexual subtext. These moments are superb, but they do not form the backbone of our troubled protagonists, it's a complete missed opportunity that renders the film as safe and glossy. This is an attempt at horror but without the horror, either visually, thematically or literary, a ripened banana skin of a pic with action missing in action. Yet it is not a desperately bad film, the film making craft on show is top dollar, notably when Ruttenberg is on duty, and it's a little sensual - though this is kind of tempered by the thought of domestic abuse as a constant threat in our real world. The 41 version has fans, I'm just not one of them and readily prefer the monstrously potent 31 version. If you haven't seen it then it's definitely worth a look, but much of the criticism it has received over the years is in my book very much warranted. 5/10
A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.
An unappreciated old granny magically turns 20 years old again and decides to make the most of her newfound youth.
Romesh (Arjun Mathur) was a young medical intern who dared to dream. He was in awe of Dr. Asthana (Kay Kay Menon), the Chief of Surgery of the Shekhawat General Hospital. All he wanted to was be like him. He lived in with Riya, his co-intern and the love of his life. However, when an eight year old boy, Ankur dies due to Dr. Asthana's medical negligence, Romesh realises that a good surgeon is not necessarily a good person. Together with Ankur's mother Nandita, Dr Romesh sets out on a turbulent journey to fight for what is right. A fight for justice against his mentor, the hospital and the love of his life
Batman and Robin deal with relationship issues while preventing Mr. Freeze and Poison Ivy from attacking Gotham City.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
Camille falls on the nose. A stupid fall, apparently benign, but Camille feels her nose moving, growing, inside. The fear of looking like Fabio and his big adolescent body, his grandmother deformed by the disease, the pigs of the old man, seized her. Fear of losing shape.
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stand staying away from her.
After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
Newly divorced lawyer Nathan Del Amico is shaken up after he meets a doctor who claims that he can sense when select people are about to die. Though he doesn't believe the doctor, events in Nathan's life slowly make him think he's not long for this world.