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The World is yours, my darling, but the moment is mine! Dr. Jekyll and Mr. Hyde is directed by Victor Fleming and collectively adapted from the Robert Louis Stevenson story by John Lee Mahin, Percy Heath and Samuel Hoffenstein. It stars Spencer Tracy, Ingrid Bergman and Lana Turner. Music is by Franz Waxman and cinematography by Joseph Ruttenberg. A remake of the 1931 Rouben Mamoulian/Fredric March version, this follows the same course of action that sees Tracy as the dual title characters. After having developed a potion that will ultimately bring out his evil half – it proves to not be good for anybody really! It’s the story itself, along with the awesome period setting of a foggy lamplighted Victorian England that stops this from sinking below average – though it does come close in the middle section. It’s just an odd fit, from the daft casting of Tracy and Bergman in the key roles, to the Hollywood Hayes Office compliant smoothness of the material, it becomes almost impossible to take seriously. Then there is a run time of nearly two hours, most of which is to bump up Bergman’s screen time, which while acknowledging her greatness as an actress, it’s just wrong across the board for her here. While alongside her Turner is sadly under written and Tracy’s take on Hyde lacks vim and vigour. Since a certain Mr. Freud had become in vogue there’s some interesting dream imagery and dissolves sequences, most of which ares bursting with sexual subtext. These moments are superb, but they do not form the backbone of our troubled protagonists, it’s a complete missed opportunity that renders the film as safe and glossy. This is an attempt at horror but without the horror, either visually, thematically or literary, a ripened banana skin of a pic with action missing in action. Yet it is not a desperately bad film, the film making craft on show is top dollar, notably when Ruttenberg is on duty, and it’s a little sensual - though this is kind of tempered by the thought of domestic abuse as a constant threat in our real world. The 41 version has fans, I’m just not one of them and readily prefer the monstrously potent 31 version. If you haven’t seen it then it’s definitely worth a look, but much of the criticism it has received over the years is in my book very much warranted. 5/10
The World is yours, my darling, but the moment is mine! Dr. Jekyll and Mr. Hyde is directed by Victor Fleming and collectively adapted from the Robert Louis Stevenson story by John Lee Mahin, Percy Heath and Samuel Hoffenstein. It stars Spencer Tracy, Ingrid Bergman and Lana Turner. Music is by Franz Waxman and cinematography by Joseph Ruttenberg. A remake of the 1931 Rouben Mamoulian/Fredric March version, this follows the same course of action that sees Tracy as the dual title characters. After having developed a potion that will ultimately bring out his evil half - it proves to not be good for anybody really! It's the story itself, along with the awesome period setting of a foggy lamplighted Victorian England that stops this from sinking below average - though it does come close in the middle section. It's just an odd fit, from the daft casting of Tracy and Bergman in the key roles, to the Hollywood Hayes Office compliant smoothness of the material, it becomes almost impossible to take seriously. Then there is a run time of nearly two hours, most of which is to bump up Bergman's screen time, which while acknowledging her greatness as an actress, it's just wrong across the board for her here. While alongside her Turner is sadly under written and Tracy's take on Hyde lacks vim and vigour. Since a certain Mr. Freud had become in vogue there's some interesting dream imagery and dissolves sequences, most of which are bursting with sexual subtext. These moments are superb, but they do not form the backbone of our troubled protagonists, it's a complete missed opportunity that renders the film as safe and glossy. This is an attempt at horror but without the horror, either visually, thematically or literary, a ripened banana skin of a pic with action missing in action. Yet it is not a desperately bad film, the film making craft on show is top dollar, notably when Ruttenberg is on duty, and it's a little sensual - though this is kind of tempered by the thought of domestic abuse as a constant threat in our real world. The 41 version has fans, I'm just not one of them and readily prefer the monstrously potent 31 version. If you haven't seen it then it's definitely worth a look, but much of the criticism it has received over the years is in my book very much warranted. 5/10
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
Dr. Henry Jekyll is a well-regarded physician whose evenings are spent researching a rare and sacred Amazonian flower so potent it's said to literally separate the soul, giving life to man's Dark Self. The obsessive experiments to isolate its psychotropic properties happen to coincide with a series of brutal murders gripping the city with fear. Jekyll knows it's no coincidence. While his nights are lost to him, he awakens with bloody mementos and violent memories of the screams of his victims.
A Russian doctor is invited to work at Afghanistan's top hospital during the war, and sees firsthand the carnage caused by the Islamist mujaheddin as they attempt to overthrow the socialist government.
The Daywalker known as "Blade" - a half-vampire, half-mortal man - becomes the protector of humanity against an underground army of vampires.
A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and - most of all - money, and walk a fine line on the edge of personal and professional disaster.
Young history buff Kevin can scarcely believe it when six dwarfs emerge from his closet one night. Former employees of the Supreme Being, they've purloined a map charting all of the holes in the fabric of time and are using it to steal treasures from different historical eras. Taking Kevin with them, they variously drop in on Napoleon, Robin Hood and King Agamemnon before the Supreme Being catches up with them.
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
While searching for his fiancee Ritsuko, Sakutarou rediscovers through flashbacks the void deep within him caused by the events from his high school days.
In the spring of 1945, Japan established a secret base, Unit 731 in Manchuria, where many innocent Chinese, Korean and Mongolian people were killed in grotesque experiments. An idealistic young doctor , Morishima, is horrified by the experiments being performed in the camp and when his fiancée arrives disguised as a Chinese prisoner he sets out to liberate the camp. A docudrama sequel to the notorious Men Behind the Sun, which pulls no punches when it comes to delivering the shocks!
