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We are Devo! There's an island somewhere out there in the goddamn foggy laden deep blue sea. Here resides Dr. Moreau (Charles Laughton), he has a God complex and he is conducting experiments, turning animals into humans. Unsurprisingly and terrifyingly the results are not exactly a success! Tod Browning's Freaks was released this same year, and when watching Erle C. Kenton's Island of Lost Souls, it makes for the perfect companion piece. Full of haunting imagery, aided no end by cinematographer Karl Struss' stunning photography, it's a film that stays with you long after the end credits have rolled. Berserker science marries up to human chaos to provoke and trouble in equal measure. Laughton gives top villainy, whilst Waldemar Young and and Philip Wylie adapt from the H.G. Wells novel with a cheeky glint in their eyes. The 1930s had some great horror movies, this is up with the best of them. 8/10
There is something almost "Hitler-esque" about Charles Laughton's performance in this stunningly eerie adaptation of HG Wells' novel "The Island of Dr. Moreau". I have to admit to a certain bewilderment as to the name change - if anything, it rather detracts from the original - but hey, I'm nitpicking. Laughton is perfect as the charismatic genius who is experimenting to turn animals into human beings. Not for us here, is that typically maniacal lunatic-scientist style of characterisation; our protagonist here is cold, calculating and evil - but he also has a structured - if entirely flawed - scientific theory with a goal that aims to facilitate his return to London to prove those previously sceptical of his claims that he was right. Were it not for the arrival of "Edward Parker" (Richard Arlen) who had been unceremoniously dumped from a passing freighter; and whom he introduces to his most promising subject "The Panther Woman" he might well have succeeded. This external intervention, however, changes all the dynamics on the island and we head to the ultimate clash of personalities. Bela Lugosi features sparingly, and - to be honest - his part could have been played by any tall man in a beard (real, or otherwise) and Arthur Hohl as his rather too acquiescent sidekick "Montgomery" lacked any sort of screen presence. The lighting contributes hugely to the spookily haunting imagery; more than making up for the, well, make up! It's all about Laughton - his menacing, almost megalomanic performance is captivating.
A shipwrecked sailor stumbles upon a mysterious island and is shocked to discover that a brilliant scientist and his lab assistant have found a way to combine human and animal DNA—with horrific results.
George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.
British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.
In 1993, the Search for Extra Terrestrial Intelligence Project receives a transmission detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature who can change from a beautiful woman to an armour-plated killing machine in the blink of an eye.
Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground.
The Wind in the Willows: Concise version of Kenneth Grahame's story of the same name. J. Thaddeus Toad, owner of Toad Hall, is prone to fads, such as the newfangled motor car. This desire for the very latest lands him in much trouble with the wrong crowd, and it is up to his friends, Mole, Rat and Badger to save him from himself. - The Legend of Sleepy Hollow: Retelling of Washington Irving's story set in a tiny New England town. Ichabod Crane, the new schoolmaster, falls for the town beauty, Katrina Van Tassel, and the town Bully Brom Bones decides that he is a little too successful and needs "convincing" that Katrina is not for him.
"Described as 'Snow White meets Eyes Wide Shut,' Rouge is a horror-tinted gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Set in California, the story explores the cult-like nature of the beauty industry — as well as 'the danger of internalizing its pitiless gaze.' Set to be published in September this year by Simon & Schuster/Marysue Rucci Books, Rouge is the latest novel from [Mona] Awad, behind All’s Well, 13 Ways of Looking at a Fat Girl and Bunny, which was listed among the best book of 2019 by Time, Vogue and the New York Public Library." (THR)
Six months after losing her only child in the Southeast Asia tsunami, Jeanne is convinced she sees him in a film about orphans living in the jungles.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
A young governess for two children becomes convinced that the house and grounds are haunted by ghosts and that the children are being possessed.
