Baghavat

A Carefree and Confident Girl (Sanah Kapur) of her area who finds Love in Vikram(Randeep Rai).

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

The film chronicles the ascent of Shivaji, the great Maratha warrior who fought for liberty from the erstwhile Muslim rulers in order to establish a secular Hindu kingdom.

A man decides to re-pay a good Samaritan but regrets doing so after he finds out that he is an assassin.

A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).

Hasmukh Mehta loves power. He exercises power over his family and even those who work under him in his business empire. His son Ajit Mehta offers a weak foil to Hasmukh's assertive behavior. His wife Sonal is the butt of his jokes and an easy target for his blame games. Ajit's wife, Preeti copes with her father's insufferable behavior by simply giving in. All are waiting for the day the old man will die and leave his vast fortunes to them. He does die, but he does not leave his fortunes to them. Not only that he uses his money as a bait to make them act according to his will, literally ruling them from his grave through a convoluted will that has them doing exactly what he wants them to do. Through his will, he instructs his mistress Kiran Jhaveri to live with his family, using her as a proxy for him, while he enjoys his power even as a ghost! But even the most perfect of plans don't always go the way they are supposed to.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Hailing from Aarah in Bihar, Anarkali is an item girl, famous for her vocals, suggestive dance moves and innuendo laden lyrics. She enjoys her stardom and revels in the lusty glances. The singer acknowledges that she is no saint and even makes peace with the hatred she evokes among civilised society but what she refuses to tolerate is being exploited in public by an influential politician.

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.