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Baron Wolf von Frankenstein. Son Of Frankenstein, directed by Rowland V. Lee and starring Basil Rathbone as Baron Frankenstein, Boris Karloff as The Monster (his last turn as the creature), Lionel Atwill as Inspector Krogh and Bela Lugosi as Ygor. That's quite a cast list, add in a sharp script from Willis Cooper and the stunning sets from Russell Gausman, and you got a sequel that's well worth its salt. Following on from Bride Of Frankenstein (25 years later), the film sees son of Frankenstein Baron Wolf von Frankenstein (Rathbone) return to the family home and scene of his fathers monstrosities. Receiving a less than lukewarm reception on arrival, Wolf is presented with a box containing his fathers papers. After being told in no uncertain terms that continuing his fathers work will not be tolerable, Wolf laughs off the notion. However, the next day he's out wandering in the ruins and comes across Ygor, his dead fathers assistant. Where it's revealed that "The Monster" is still alive but very much comatose. Wolf then becomes obsessed with bringing the monster back to full life, thus to prove his father had the right intention but not the right execution of his ideas. It's a ripper of a sequel is this, perhaps lacking in the humour that James Whale brought to the first two films, it is however a well constructed feature boasting great performances from Rathbone (the part was originally planned for Peter Lorre), Lionel Atwill (having a riot with his false arm) and Lugosi (possibly a career high in terms of substance). Lee stamps his own marker on the piece and I think the nicest thing one can say is that his film sits well along side Whale's classics. The only let down is actually Karloff's monster, stripped of voice at Karloff's insistence, the monster is now reduced to being a lumbering robot. It's not a fitting farewell to the great work that Karloff did with this quite brilliant creation on page and screen. 8/10
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
The film centers around the life of Victor Frankenstein. After creating the monster together with his partner Zuckel, the monster attacks the assistant and falls from a cliff. Assuming the monster is dead, Victor returns to his wife Elizabeth and daughter Emily. A police inspector named Bellbeau investigates some mysterious mutilations killings, and Victor is blackmailed by his former assistant, who lost an eye in his fight with the monster.
A scientist obsessed with creating life steals body parts to put together his "creation." Released as a feature on video, this was originally shown in two installments on TV as part of the Wide World of Entertainment series.
The latest psychiatrist assigned to assess whether inmate Victor Frank is mentally fit to stand trial for murder gives up in frustration and so the asylum head Dr Robert Walton steps in to do the job. Frank tells Walton his story. He was a scientist experimenting in the field of nanotechnology. Using nanobots that were capable of rebuilding the human body, Frank and his team had great success in helping the crippled, wheelchair-ridden Bryce Daniels regain use of his faculties. But then Bryce started to become unstable...
Frankenstein is a 2007 British television film produced by Impossible Pictures for ITV. It was written and directed by Jed Mercurio, adapted from Mary Shelley's original novel to a present-day setting. Dr. Victoria Frankenstein, a female geneticist, accidentally creates a monster while growing her son's clone from stem cells as an organ donor in an effort to prevent his imminent death.
The ultimate weapon, claimed to be safe for mankind, produces global side-effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817 in Switzerland where he meets Dr. Victor Frankenstein, Mary Shelley and others.
Baggage handlers Bud and Lou accidentally stumble upon Frankenstein's Monster, Dracula and the Wolf Man.
Frankenstein's unscrupulous colleague, Dr. Bohmer, plans to transplant Ygor's brain so he can rule the world using the monster's body, but the plan goes sour when he turns malevolent and goes on a rampage.