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The isn't actually a very good film, I felt - but it is does feature an extraordinary performance from Peter O'Toole as the "Earl of Gurney", about to take his seat in the house of Lords after his father has an untimely accident involving a noose and a tutu. His family are horrified at the prospect. Why? Well, that's because the new peer happens to believe he is Jesus. He spends much of his day contemplating or sleeping erect on his cruciform ornament in the great hall whilst the remainder of his rather eccentric family, and their boozy butter "Tucker" (Arthur Lowe) go about their business. They decide the only way to deal with him is to marry him off, beget an heir, then parcel him off to the asylum so they can resume their ordinary lives... What's probably most notable about this very theatrical black comedy is that it deals with just about everything from religion to vivisection, blasphemy (for many) to insinuendo (that's insidious innuendo in case you didn't know) and almost certainly would not be made now, 50 years on - being about as politically incorrect as it conceivable to be. British cinema always seems to take rather dim view of the church when it comes to comedy, and here Alastair Sim nobly continues with that tradition; Lowe is super as the butler - who's inherited £30,00 from the deceased so is in clover (when he is sober) and the two performances from William Mervyn and Coral Browne as his principal protagonists are amusing as their dastardly scheme takes shape. Sadly, though, it's all way too intense a pace to sustain, and despite the Oscar-nominated efforts of the star, the story begins to run out of steam quite quickly and the joke to wear a bit thin. There is nothing at all subtle about the humour and after a while I just stopped laughing. It is a beautifully shot film, the former Astor residence of Cliveden providing the setting for the ancestral family home, and the score from John Cameron mixes the original with just about everything from sea shanty fo high opera to ably support this preposterous swipe at the class system. It is too long, indeed it is far too long, but at times it shows creative British film making at it's most innovative and amusing and fans of O'Toole will probably appreciate (as would he, I suspect) the wedding scenes near the end... Fun, but over-stretched.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
When his partner Sek dies, Thongkam loses his property to his late love's eager family and must fight to reclaim the home they built together.
A group of Salem Witch Trial re-enactors find themselves at the center of a modern-day witch hunt.
The sort film “Baker Street Live” is being produced for December 2016 exhibition “The Masterpieces of Russian Cinematography”. The film is aiming to intrigue the viewer by the strength of British culture taking place within Russian cinematography influencing and shaping the soviet and modern Russian society. The story of two puppets – Sherlock Holmes and Dr Watson - undertaking an investigation and finding the lost pages scattered around London by which they are mostly intrigued. As the puppets keep finding page by page, they unveil their own story as if one discovers himself from within. And as ever, the successful investigation by Serlock results in the re-union of the lost pages with their lawful owner.
Burr and Dave, two close friends who have backed each other up in countless difficulties, are torn apart by the arrival of a woman, Manette, who becomes stranded with them in their cabin during a raging blizzard.
A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.
The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
THIS FILM IS A PARODY. Batman sets up a sting operation to catch potential predators in Gotham City. Created as an exercise in March 2024 for the TOPICS IN PRODUCTION: Poetics, Performance + Punk course at the University of Pittsburgh.
