Elisabeth Kübler-Ross - Dem Tod ins Gesicht sehen

A disturbing documentary about true murders and real death.

Exploring the transformative impact of artificial intelligence in an industry of imagination, “ARTIFICIAL: Media Production in an Age of AI” delves into how AI tools are currently revolutionizing various stages of media production and examines the balance between technological advancement and human creativity, attempting to spark conversation about the future of storytelling in an age of progress. It also addresses the possibility of government regulation and the broader ethical concerns implicit in the immense capabilities of AI technology. The documentary integrates extensive research, survey results, and insightful interviews with industry professionals.

Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.

When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

Jon Richardson, one of Britain's most cautious men, is sent on a mission by his wife Lucy Beaumont, to investigate the things they are most scared about.

Twenty years ago, Garnet Frost nearly lost his life hiking near Scotland’s Loch Arkaig. The near-death experience still haunts him to this day, and, in particular, a peculiar wooden stick he discovered serendipitously right before he was rescued. Believing the staff (as he calls it) is actually a marker for a fortune hidden nearly 300 years ago, Garnet embarks on a treasure hunt to search for the lost riches. But beneath the search for gold lies a poignant pursuit for life’s meaning and inspiration.

Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.

With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.