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_The Bad Batch_ ticked so many of my aesthetic boxes going in, that I didn't see any possible way that I could hate it. And I didn't, but it does make me worry, that if someone like me could come out of _The Bad Batch_ just "liking" it, then how will a more general audience respond? My assumption is that it's probably not favourably. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I liked the look of this film. It reminded a lot of Fallout 4, especially the two major settlements could be made into settlements in the game easily, and the special effects were amazing. What I didn't like was the story, as it confused the hell out of me. I couldn't understand the motivations of the main character, or really any other character in the movie as they really gave no reasons for anything they did nor could those motivations be inferred, and the lack of dialogue meant no one asked why about anything. Or if anyone questioned anything, the best answer you get is thats just the way it is. I could accept that if what it was made any sense, and most of the time it didn't. I'm going with a bold idea that was mishandled. Final rating:★½ - Style over substance.
**In the land of savages!** The overall concept was good, but I did not like the initiation. I don't like any film of cannibalism. I don't know why such films are made. What's the point! Definitely not entertainment or art. It could only encourage such savage culture. So I thought I made a mistake picking it to watch. Except the opening, the rest of the film was different. Then ended as a just below average product. In a near future, where all the criminals, illegal immigrants are dumped in a waste desert land. So they have made their own system, divided by two. One the savages and the other is kind of civilised, but not without flaws. A new arrival who experience from both the end, had to decide where she belongs when a series of bad events had taken place. Here comes another film from a woman director. Her previous film was one of the worst in the history of filmdom. And again this is not her best work either. Though I liked the cast. They all performed well, particularly Jim Carrey. Yes, I did not recognise him at first. Then there's Keanu Reeves. But Waterhouse was good. I wish her a good future. Generally not recommended, but then it's your choice! _5/10_
My ten word review: _Just your average beautiful looking but utterly non-sensical indie film._ Click here for a video version of this review: https://youtu.be/IpZ5m4fbq1E
Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
Jenny is hit in the head by a soccer ball. When she comes to, the clock has turned back exactly 32 years! It is June 21, 1974, the year of the football World Cup, one day before the football match between the Federal Republic of Germany and the GDR. Jenny experiences two turbulent days at the side of her future parents - in both parts of Germany.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
Artist Statement: "Lovesick" is an abstract analysis of idealization, objectification, and the Other; a dark fantasy peering into how we view and explore the complex darkness of human sexuality.
What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).
A sci-fi film set in 2156 on the Jupiter moon of Ganymede. Tariq and his son Lailuma have just landed and are waiting for Sanaz, who has been left on Earth. One day they see an explosion in the sky, then radio contact with Earth is lost.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.