Ein Feigenblatt für Kuhle Wampe

Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

If you’ve seen Top Gun or Transformers, you may have wondered: Does all of that military machinery on screen come with strings attached? Does the military actually get a crack at the script? With the release of a vast new trove of internal government documents, the answers have come into sharp focus: the US military has exercised editorial control over thousands of films and television programs. As these activities gain new public scrutiny, new questions arise: How have they managed to fly under the radar for so long? And where do we go from here?

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

In the heady days of the 1968 Prague Spring, a group of Czechoslovak Radio journalists risk not just their careers but their lives to distribute independent news amidst national and regional tumult. Orphaned brothers Tomáš and Pája are caught in the struggle for freedom. The elder, Tomáš, is a radio technician working at the station committed to defying the Communist Party’s censorship, overwhelming propaganda, and police harassment. When security forces pressure him to spy for them, Tomáš finds himself in a bind where he has to choose between betraying his colleagues or protecting Pája.

Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.

An investigation of government censorship in Iran.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Moscow, 1930s. A prominent writer's works are suddenly censored by the Soviet state and the premiere of his theatrical play about Pontius Pilate is canceled. He's kicked out of the Soviet Writer's Union, and quickly turns into an outcast with no means to survive. Inspired by Margarita - his lover, he begins working on a new novel in which all the characters are satirically reinterpreted from his life. The novel's central character is Woland - a mystical dark force who visits Moscow to revenge all those who caused the writer's downfall. As the Master sinks himself deeper and deeper into his novel, adding himself and Margarita as characters, he gradually stops noticing as the border between reality and his imagination fades away.

The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.