Hot Sugar's Cold World

A group of small-town boys has prepared to beat up on this boy named Haoran for a long while. Belligerent and energetic. They tried every trick to catch him in vain including hunting him in the classroom and ambushing him on his way home. These little rebels fooled around each day, smoking, running away from their homes, and chasing after an impossible target. But who is this mysterious Haoran?

Rage celebrates turning 30 with this special look at its history and influence on Australian music and culture.

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

Some groups of skaters are classified as teams. At Globe there are only riders. Riders who define skateboarding through their unique character and perspectives on their world. Opinion, skateboarding: to each his own.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.

The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.

Documentary about the construction of Thy Lejren in 1970 - an alternative summer camp. Features concerts by bands such as Gasolin' and Gnags.