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This got a BAFTA nod for Best British Screenplay and you can easily see why. It is a gentle, almost nostalgic, reminder of how different society was in the UK 60 years ago. Barbara Murray ("Ann") is a social worker struggling to look after a collection of kids from a variety of disadvantaged backgrounds. She meets and falls for the kind, gentle, real-life crooner Max Bygraves ("Bill") who has some fairly traumatic baggage of his own, and they both set about trying to bring a little happiness to themselves and to their young charges. This doesn't pull it's punches - not that it is gory, or visually violent - but it does tackle the topics of suicide, child neglect and parental (& official) indifference in quite a forthright (for 1958) fashion. It did remind me a little of my own childhood in Glasgow in the 1970s - kids were packed off "out to play" on spare ground - frequently that bombed out during WWII - on their own for days at a time; surrounded by an environment of cigarettes and alcohol - and although impossible to reconcile with attitudes today; people just didn't know any better and very, very few of us were ever at risk of anything more dangerous than a skint knee. The kids' performances are good as is Mona Washbourne as "Mrs. Daniels".
Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.
After a long absence an artist returns to her gentrified community where she explores her social position and complicity in the rapid changes.
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don't share a language, they grow close through their grief.
A hardened debt-collector goes on a 24-hour rampage through London in an attempt to avenge the brutal attack on his teenage daughter.
Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.
When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.
A woman's life is torn apart when her husband and infant son are killed in a suicide bombing at a soccer match.
After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), Ian Wyndham, a grief-stricken British businessman living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.
Spiker & Cobakka are two self-confessed 'pieces of Moscow scum' who come to London to rip it off. This is their guide.
Graham Young is a teenage misfit living in suburban London in the 1960s. He hates his stepmother but loves chemistry, and the two impulses unite in a wicked plot to slowly poison her. After she dies, he's found guilty and sent to a psychiatric hospital, where an idealistic doctor thinks he can be cured.