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The Great American Baking Show - (Nov 26th)
Taskmaster - (Nov 26th)
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The Chase Australia - (Nov 26th)
The Traitors Canada - (Nov 26th)
Luxury Escapes- The Worlds Best Holidays - (Nov 26th)
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The Rap Game UK - (Nov 26th)
Return to Las Sabinas - (Nov 26th)
Rhod Gilberts Growing Pains - (Nov 26th)
Britain’s Most Evil Killers - (Nov 26th)
Hoarders - (Nov 26th)
Tipping Point Australia - (Nov 26th)
Letters and Numbers - (Nov 26th)
Rip Off Britain - (Nov 26th)
Love Island Australia - (Nov 26th)
Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
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Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
At the age of 91, Mel Brooks is unstoppable, with his musical "Young Frankenstein" opening to great critical acclaim in London in late 2017. Alan Yentob visits Mel at home in Hollywood, at work and at play.
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
Assuming your homosexuality when you are American, as surprising as it may seem, is not necessarily straightforward. In the United States, 700,000 homosexuals have already undergone so-called conversion therapy. These therapies, which go by name only, promise to "fix" a deviant sexual orientation. Led by religious or pseudo-scientific communities, they do not hesitate to use humiliation and physical violence to achieve their ends and to change a person's inner identity. Conceived as a road movie, stretching from Alabama to California, this documentary immerses us in the world of conversion therapy, with powerful testimonies from victims and activists.
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.
Fifty years after the Stonewall uprising, Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman travel to three diverse communities – Salt Lake City, San Francisco, and Tuscaloosa, Alabama – for an unflinching look at LGBTQ Pride, from the perspective of a younger generation for whom it still has personal urgency.
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.