Uşaqlığın Son Gecəsi

The film portrays the life of the legendary Azerbaijani guerrilla of the Second World War Mehdi Huseynzadeh, who fought the Nazi forces in the present-day Italy and Slovenia, hence the film's name On distant shores referring to the Adriatic Sea.

The film is about famous Chechen ballet and folk dancer Mahmud Essembayev's life.

Matteo Falcone is an Azerbaijani short drama film based on Prosper Merimée's like-named story from 1829. Matteo Falcone is a successful Corsican, who lives with his wife Giuseppa and 10-year-old son Fortunato. One day he leaves home with Giuseppa, leaving Fortunato alone.

After her husband's death, a widow returns to Moscow with her mother-in-law, unaware that a depressed passenger is determined to blow up the train en route

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

Psychological drama about a university dean who leads a double life.

Based on a novel by Farman Karimzade, the movie shows the life in an Azerbaijani village under the Soviet rule in 1930s. Here two former "beys" (land owners) are opposing each other. One is loyal to the ideology of the past and can't reconcile himself to the new power, to second rejects the past and accepts the power of the Bolsheviks, believing that it will establish justice.

Popularly known by the name of the main character, "Mashadi Ibad" was based on a musical comedy by composer Uzeyir Hajibeyov and written in the early 1900s. The story is based on the age old-theme of a beautiful young woman Gulnaz who falls in love with a young man Sarvar but is obliged to marry someone else.

Biopic about general Hazi Aslanov, who died fighting Germans in WW2.

The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.