Bearskin: An Urban Fairytale

Alyssa wakes up in a home that's not hers and discovers a dead body. With no memory of how she got there, and no idea of who he is, Alyssa tries to piece together what exactly happened the night before.

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

Inspired by the the life of Pulitzer Prize-winning, Miami-based journalist, Edna Buchanan, who investigates the murder of a man with ties to the Miami mafia.

"REM" is an Afrikaans Sci-Fi Drama about a grief-stricken father, Dehan, who becomes obsessed with the memory of his late wife, Lena, through the use of a high-tech, dream-altering device, the REM. This unhealthy obsession leads to Dehan struggling to reconnect with his young son, Erich, who survived the car accident that caused Lena's death. Dehan must decide to face and to confront his grief, reconnecting with his son, or to become so immersed in his fantasy dream-world that he loses touch with reality, and Erich, altogether.

Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

A headstrong young woman returns to New Orleans after the death of her estranged mother.

A bus in Kenya is waylaid by terrorists seeking to kill non-Muslims, and the Muslims onboard take a stand.