Drylongso

This is the story about the life and artistic views of a designer through an interview that’s replete with poetic dialogue.

The perfect English arcadia gives way to varying kinds of misfortune, disruption and violence. With more than a passing reference to the 'narrative' paintings by masters such as Bruegel, this single-take 9-minute short is about a lazy Sunday afternoon that goes horribly wrong.

An assistant prosecutor zealously pursues a conviction in the case of a pediatric nurse accused of murdering her patients, but doubt arises when her evidence shows that the infants may have died of natural causes.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the aeroplane, 12-year-old N'Dala decides to leave the group and to reconnoitre the city. The nun then starts her unceasing quest for the missing boy. N'Dala, only carrying a textile bag and a doll made of wire, walks through the busy streets filled with people and traffic. Later he finds the tranquility of the island off the coast, where he meets the old fisherman Antonio, with whom he becomes friends. Not much later, he meets the lively, whimsical Zé, who is a little older than he is. N'Dala starts to experience the city and its inhabitants as increasingly forbidding and he would most like to return to the countryside from whence he came. Then he meets Joka, a fringe figure who persuades him to help with a robbery in exchange for money. With this film, Maria Joao Ganga wanted to provide a realistic sketch of the bitter political situation in Angola. One of her most important motivations ...

A group of troubled strangers looking to escape their woes end up sharing a transformational experience on an island steeped in African-American heritage and culture.

Freelance journalist Jan Schulte hopes for a job at the online portal of Berlin newspaper “Die Republik” when he discovers a potential scandal. Federal minister of health Elisabeth Stade apparently helped her brother’s search for a heart transplant by moving him up the waiting list illegally. But then Schulte’s colleague Britta claims the compromising material is a fake. Editor-in-chief Weishaupt and publisher Winter refuse to run the article. As Jan keeps on digging into the scandal, investigating state secretary Katharina Pflüger and political advisor Frank Gruber, his evidence is suddenly stolen from the newspaper office, and soon a competing tabloid breaks the story...

A young man visits his parents in Norway with his pregnant Spanish wife. Expectations run high, but in the short ride from the airport, it becomes clear that this won't be the harmonious family occasion everyone hopes for.

Marking a stylistically and philosophically turn away from the earlier features, The Sand Rose is Reis and Cordeiro’s most abstract, conceptual and literary work. The film’s collage structure gathers texts from multiple sources – including Kafka and Montaigne – and crafts a world of theatrical artifice far from the documentary inspired naturalism of Ana and Trás-os-Montes. Reis and Cordeiro’s least known film has lingered in obscurity and never recovered from the unfairly negative reviews that resulted in its severely limited release. Reis died less than two years later, just as he and Cordeiro were about to begin an ambitious adaptation of Juan Rulfo’s Pedro Parámo. - Harvard Film Archive

Jeong-yoon and Jong-bae own a car body repair shop together that gets in financial trouble. To help cover the losses and take care of her family, Jeong-yoon decides to smuggle thirty kilograms of cocaine.