Diddy Summit to Plummet 2024 - Movies (Jan 14th)
Powder Pup 2024 - Movies (Jan 14th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 14th)
Diddy The Making of a Bad Boy 2025 - Movies (Jan 14th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Queer 2024 - Movies (Jan 14th)
Bloody Axe Wound 2024 - Movies (Jan 14th)
Man with No Past 2025 - Movies (Jan 14th)
Kraven the Hunter 2024 - Movies (Jan 14th)
Resynator 2024 - Movies (Jan 13th)
Memoir of a Snail 2024 - Movies (Jan 13th)
Lick 2024 - Movies (Jan 13th)
Singing in My Sleep 2024 - Movies (Jan 13th)
Ghost Cat Anzu 2024 - Movies (Jan 13th)
Daniel Sloss Hubris 2024 - Movies (Jan 12th)
The Room Next Door 2024 - Movies (Jan 12th)
Polar Opposites 2025 - Movies (Jan 12th)
Moon Maidens 2 2024 - Movies (Jan 12th)
Wildcard Kitchen - (Jan 15th)
7 Little Johnstons - (Jan 15th)
High Potential - (Jan 15th)
Doc - (Jan 15th)
Finding Your Roots - (Jan 15th)
The ReidOut with Joy Reid - (Jan 15th)
All In with Chris Hayes - (Jan 15th)
Bargain-Loving Brits in the Sun - (Jan 15th)
Richard Osmans House of Games - (Jan 15th)
The Island - (Jan 15th)
St. Denis Medical - (Jan 15th)
The Young and the Restless - (Jan 15th)
The Bold and the Beautiful - (Jan 15th)
Hudson and Rex - (Jan 15th)
Night Court - (Jan 15th)
Will Trent - (Jan 15th)
Star Wars- Skeleton Crew - (Jan 15th)
Lets Make a Deal - (Jan 15th)
The Price Is Right - (Jan 15th)
The Rookie - (Jan 15th)
Yes, I know I'm giving this WAY TOO MANY marks, but, hey, I love all of the clashes between Sir Christopher Lee's 'Count Dracula' and Sir Peter Cushing's 'Van Helsing' (perhaps the greatest characterizations of those two characters, over a series of films, in cinema), and the then-contemporary (now almost 45 years ago!) update certainly is intriguing. So sue me.
A misjudged mess. Good grief! Hammer Horror Films were very much in a flux come 1972, so in a bold (yet ultimately ill conceived) attempt to move with the times and grasp a new audience, they turned to old faithful to resurrect their hopes - Count Dracula. Pic starts with an exciting prologue in 1872, where we see Dracula (Christopher Lee) and Van Helsing (Peter Cushing) battling to the death. We witness Drac's ashes buried near to the grave of Helsing, and then it's fast forward to 1972... It must have seemed like a good idea at the time - letting loose one of the most iconic monsters in movie history in contemporary London - but it never works, lacking horror vibrancy and very much coming off as a pastiche of former glory. A rather excellent resurrection section of film aside, pic is just too quirky and kitsch for its own good, more laughable than anything remotely scary. Other major problems hurt the possibility of enjoying it on some sort of parodic level. Dracula never actually does much, confined to a small location (again!), so not really tearing up contemporary London as it happens, while the 1972 "youths" who form the core of the narrative are actually out of date themselves! Something further compounded by the quite dreadful musical score, which should have been confined in a locked safe a decade earlier. Some of the more notable Hammer touches try to battle there way through the murk, but it's a losing battle, the company's visual identity lost amongst a daft script and cartoonish direction. It has fans, and viewing it now some decades later one can at least embrace it with a modicum of endearment, but it's a poor pic and signals the start of a sad era for a great production company. 4/10
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
El vampire y el sexy (or Santo in the Treasure of Dracula in its censored version) is a 1968 Mexican film starring El Santo and directed by René Cardona. The Vampire and Sex was filmed as the adult version of Santo in the Treasure of Dracula. While the censored family version was distributed in 1969, the uncensored version was not shown to the public until 2011 when it was discovered.
Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that's stalking them.
The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.