The King of Kings 2025 - Movies (May 30th)
Alien Love 2024 - Movies (May 30th)
Cara 2024 - Movies (May 30th)
Bono Stories of Surrender 2025 - Movies (May 30th)
Lulu Is a Rhinoceros 2025 - Movies (May 30th)
Bad Things 2024 - Movies (May 30th)
A Hell of a Difference 2024 - Movies (May 30th)
Blood in Them Hills 2025 - Movies (May 30th)
7 Kills 3 Songs and a Banana 2024 - Movies (May 30th)
Queer 2024 - Movies (May 29th)
The Girl in the Pool 2024 - Movies (May 29th)
Opus 2025 - Movies (May 29th)
Sinners 2025 - Movies (May 29th)
Captain America Brave New World 2025 - Movies (May 29th)
Implosion The Titanic Sub Disaster 2025 - Movies (May 29th)
The Alien Perspective 2025 - Movies (May 29th)
National Theatre Live Dr. Strangelove 2025 - Movies (May 28th)
Russell Peters Act Your Age 2024 - Movies (May 28th)
Stronger than Ever 2024 - Movies (May 27th)
The Woman in the Yard 2025 - Movies (May 27th)
What Happens After the Massacre 2025 - Movies (May 27th)
SurrealEstate - (May 30th)
100 Foot Wave - (May 30th)
And Just Like That… - (May 30th)
The Bold and the Beautiful - (May 30th)
Lets Make a Deal - (May 30th)
The Price Is Right - (May 30th)
The Young and the Restless - (May 30th)
The Beat with Ari Melber - (May 30th)
The Last American Vagabond - (May 30th)
Clarksons Farm - (May 30th)
Deadline- White House - (May 29th)
Outback Crystal Hunters - (May 29th)
Tonight - (May 29th)
Interior Design Masters with Alan Carr - (May 29th)
Springwatch - (May 29th)
Ambulance - (May 29th)
Katy Tur Reports - (May 29th)
Taskmaster - (May 29th)
The Yorkshire Vet - (May 29th)
The Kelly Clarkson Show - (May 29th)
If ANY film I have ever seen comes the closest to taking a sophisticated look at what most of the world would consider to be the spoiled-rotten, prima donna, mega-talented amateur athlete (I would add 'American', but I believe they would be like Redford's characterization even if they weren't), Michael Ritchie nails it. Way underrated. And it makes you wonder, especially with the poster pictured here, if the title's a double entendre (and not just slickly-marketed sex-advertising), not merely for various OTHER curves Redford's character wants to/succeeds in navigating, but also the possible crash-and-burn Chappellet may have, if he continues his wild, burn-the-candle-at-both-ends lifestyle while participating in quite a dangerous sport. Sonny Bono-jokes aside, this kind of thing happens. Simply marvelous work by Redford, Gene Hackman, Ritchie and cinematographer Brian Probyn. Essential purchase and rewatches for sports fans and the work of Redford, Hackman and Ritchie especially. Easily my favourite of Ritchie's work, next to, sentimentally, 'The Bad News Bears' (which is a whole different kettle of fish altogether).
_**The best (and only) major film about downhill ski racing**_ Robert Redford was in his prime as David Chappellet, a taciturn loner from Colorado, who competes with an underdog American team for Olympic gold in Europe. Gene Hackman co-stars as the coach who tries to temper Chappellet's narcissistic and reckless drive for glory. "Downhill Racer" came out late in 1969 hot on the heels of Redford's success with "Butch Cassidy and the Sundance Kid." Unfortunately it wasn't marketed properly and failed at the box office, but don't let that deter you 'cause this is a great film well worthy of your time. Although the movie is from '69 and therefore has obvious dated aspects, "Downhill Racer" was very innovative in it's time and holds up well to this day. In fact, aside from the ski paraphernalia & styles, I don't find the film dated at all. It somehow has a fresh quality and plays out like a docudrama similar to, say, "Saving Private Ryan," which was made nigh three decades later(!). "Downhill Racer" is reminiscent of 1966's "The Blue Max" in that both films are about an unlikable loner who is ruthlessly ambitious in his area of skill and functions as a fish out of water in the social circles to which he's thrust. It goes without saying that if you liked "The Blue Max" you'll probably like this one too. Both rank with my favorite films of all time. Downhill racing is an insanely hazardous sport in that the skier can reach speeds of 80-90 mph(!). Needless to say, one bad fall could take you out for life. Downhill is also an extremely individualistic sport, which is well pointed out in the story when a teammate criticizes Chappellet for not being a team player and another guy responds, "Well, it isn't exactly a team sport, is it?" Needless to say, it takes a very certain kind of individual to be successful at downhill -- someone who's ultra-daring and bold; someone with a wild, reckless edge balanced by the necessary discipline to train and compete. Redford effectively plays such a person here. He rises up in the ranks to become the American team's only true hopeful; the coach attempts to somewhat keep him under reigns and criticizes his individualism and recklessness even while he knows these are the very qualities that makes him a winner. Throughout the picture Chappellet and the coach act like they don't like each other at all, and it's true because Chappellet is a loner in the truest sense, but ultimately the coach is squarely on the young racer's side: When it comes time for the vital Olympic run the coach looks into Chappellet's eyes and confidently states, "You can win this." Take note of the stark contrast of Chappellet's plain hometown in Colorado and the glitz of the European ski resorts where he races. Also contrasted is Chappellet's throw-away hometown girl ("Do ya have some more of that gum") and the glamorous self-absorbed babe he hooks up with in Europe (Camilla Sparv of "Mackenna's Gold" fame); she gives him a good taste of his own bad self, if you know what I mean. Also of interest is his 'relationship' with his distant father, a simple country man who doesn't understand his son's preoccupation with skiing and the lack of financial gain thereof. While watching, I couldn't help but think of Bill Johnson, the unlikely downhill gold medal winner for the USA in the '84 Olympics. Like Chappellet he was cocky & reckless and irked the European snobs with his bold predictions of Olympic victory. I have no doubt that "Downhill Racer" was one of Bill's favorite films. Unfortunately Mr. Johnson staged an improbable comeback bid for the 2002 Olympics that ended abruptly with a horrible downhill crash in March, 2001, leaving him permanently brain-damaged and in need of constant care. How the mighty have fallen! One cavil I have with "Downhill Racer" is that Redford is playing a person in his early 20s while he was 32 years-old during filming and looks it. But this is just nitpicking. Besides, Redford looks great at 32 or any age (and I say that with a staunch record of heterosexuality). The film runs 1 hour, 41 minutes.
Four boyhood pals perform a heroic act and are changed by the powers they gain in return. Years later, on a hunting trip in the Maine woods, they're overtaken by a vicious blizzard that harbors an ominous presence. Challenged to stop an alien force, the friends must first prevent the slaughter of innocent civilians by a military vigilante ... and then overcome a threat to the bond that unites the four of them.
A day in the life of a comic book artist and his family in Russia. While suffering from the flu, Petrov is carried by his friend Igor on a long walk, drifting in and out of fantasy and reality.
The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.
Two romantic burnouts, Jane and Will, are immediately drawn to each other at a mutual friend’s wedding. After a disastrous hookup in the coatroom, the two spend the next 24 hours together, trading candid confessions of messy histories and heartbreak, on the off chance that this fling might be the real thing.
The story of a family living in a New York City slum in 1912, headed by a loving but alcoholic father and a strong-willed mother.
Ruby is hopeful for a new start with her twin sister as they continue their education at an all-girl's boarding school. However, she soon endures torturous punishments and public humiliation as her cruel headmistress and stepmother plot against her.
When Pearl's younger brother becomes deathly ill, she travels back to the bayou to find Ruby and uncover the mysterious secrets of her past.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.