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Another one rated too low, I assume that is due to it - so I read - not being "faithful" to the original television series. I have never watched that so I couldn't judge it in those terms, but as a film I enjoyed it I won't lie. 'Inspector Gadget' is very silly but self-aware, in a similar vein to 'Looney Tunes: Back in Action' and 'The Cat in the Hat'. I enjoyed those two films and, while this isn't as good as those, I liked this enough. I probably wont ever rewatch, but I can see younger audiences finding enjoyment with it. There aren't, admittedly, any super noteworthy performances here, but that's not to say Matthew Broderick & Co. are bad in this - they give what's necessary. There's a few interesting cameos in there, too. There are a couple of fairly amusing moments, but it's the dumbness that I think they do well - it's stupid and they know it. Like those other films I mentioned earlier, you're gonna annoy a lot of people by doing that so I can see why this gets hate - I don't think 44% is fair though, but each to their own of course.
**A film that entertains without marveling, and that can frustrate fans of the cartoon.** Inspector Gadget was an amazing cartoon, but it had a brief stint on Portuguese television. I remember him, and I really enjoyed seeing him, but I don't remember seeing him much longer than four or five years. Despite this, it was one of the cartoons that I was most interested in as a child. The live-action movie we have here, however, doesn't do it justice... which doesn't mean it's necessarily bad. Plain and simple, the film is what it is: a piece of entertainment full of weaknesses. Designed to appeal to children and teenagers, I have serious doubts about the film's ability to appeal to adults, particularly fans of the original cartoon. It's not a bad movie, it's minimally funny and has some effective comic material, but most of the time it fails to make you laugh. Also, the film has bad dialogue and the script is quite poor and poorly written. So poorly written that I'm afraid of spoiling it if I say too much, so I'll limit myself to saying that the film follows the creation of Inspector Gadget and the birth of his archenemy, Claw. The cast is one of the most redeeming qualities of this film. Even with a basic story and very weak material on hand, each actor did the best they could, and I'm pretty sure they all tried to put in the effort and be professional. However, some did better than others. Rupert Everett, for example, makes the most of his charisma and steals our attention whenever he appears, with well-placed, sarcastic humour. Matthew Broderick doesn't do poorly in this job either, but he seems to find much more difficulties with his character. Joely Fisher is attractive but has little to do. Mike Hagerty and Michelle Trachtenberg are relegated to the shadows most of the time. Disney invested some money in the film, and it shows in the quantity and quality of the visual effects and CGI used. Gadget is very similar to the original, with the same clothes and the most striking gadgets from the cartoon, as well as the problems, confusions and breakdowns that have always characterized the character. The sets and filming locations help and do their part, as does the soundtrack, which contains a new version of the old cartoon theme song.
Studying music at a remote island academy, poor Mayumi (Aki Hoshino) and her classmates fall victim once more to erotic tortures at the hands of their corrupting instructors. Just in time, Kekko Kamen (Misaki Mori) takes center stage with a red mask on her head, nunchakus in her hands, and a song in her heart!
A young man who stands for the right discovers that he's destined to do bigger things, which will transform him from a common man into a Superhero.
Bob, his girlfriend and her mother are driving through South America. Bob wants to get married at the next town, Los Poach-os Egg-os, where they are currently holding a festival called Dontdoit Day. The road to wedded bliss for Bob and his girl hits a slight bump as his girl catches the eye of a dashing gaucho, and the Mayor, who is the only official in town who can perform the wedding, refuses to do so on Dontdoit Day. In addition, Bob has been the bane of the Mayor's existence since arriving in town, in part since Bob has also cast his eyes on a pretty señorita, who happens to be courted by the Mayor.
After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent Kay and new recruit Agent Jay find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.