Impractical Jokers- Inside Jokes - (Aug 29th)
The Nice Guy - (Aug 29th)
Dating Naked UK - (Aug 29th)
Bargain Hunt - (Aug 29th)
Project Runway - (Aug 29th)
Secret Life of the Auction House - (Aug 29th)
Drag Race Brazil - (Aug 29th)
The 11th Hour with Stephanie Ruhle - (Aug 29th)
Love After Lockup - (Aug 29th)
Drag Race France - (Aug 29th)
TNA iMPACT - (Aug 29th)
Family Recipe Showdown - (Aug 29th)
Lost Treasures of Egypt - (Aug 29th)
The Chase Australia - (Aug 29th)
The Heritage - (Aug 29th)
Jersey Shore- Family Vacation - (Aug 29th)
Family Lockup - (Aug 29th)
Homicide Squad New Orleans - (Aug 29th)
Beyond the Gates - (Aug 29th)
Betty la Fea, the Story Continues - (Aug 29th)
**The art of cooking while living among different seasons.** The second part of the manga based film, 'Little Forest'. One of the best duologies and one of the best food films I've ever seen. Literally, it was a four part film series with the seasonal topics like summer, autumn, winter and spring, but you would see it is like two episodes from each film which opens with the same intro. Which briefs about the place where it set in, and then go straight to its business. Basically, you can call this a mini-series, that's how in the west they call such film concepts. There's already a Korean version is in the making, due in the mid 2018. It was simply outstanding as the previous one. And one should watch them both continuously as the opening statement says for your better understanding. Winter, what do you think the farmers would do in this season. I really don't know. I haven't come from such place. All I think is skiing, building a snowman or slippery roads. That's why this film impressed me. Something letting us know what we never knew. Ichiko had her own plan. I guess most of her counterparts in the Japan would do the similar task to counter the harsh weather. That the art of preserving the fruits and vegetables, as well as making the seasonal dishes using them. Not everything is just the indoor activities, but utilising the outdoor gifts like the snows to preserve the precious ingredients and growing vegetations are admirable. Cultural significance, like gathering and sharing their produce/harvest, totally give another glimpse of how the Japanese do. On that aspect, this film quite stays away from Ichiko in a few sections. The other characters take over for a brief. That remains a bit mystery. The film never went deep digging her personal life, particularly what happened between her and her mother. So it never cared to say further as the narration proceeded towards the end. > ❝I'm pretty lenient when it comes to cabbage white butterflies. But I show no mercy to caterpillars.❞ Spring, you can call the season for rebirth of all plantation. The white visuals would be replaced by the green everywhere. Not just the plants, but also the zoological lives like butterflied et al thriving. There's one problem with that despite they are considered beautiful, those are pest according to the farmers. Ichiko reveals her own experience with her mother when she was a kid. But when it comes to her in the same position as her mother, what is her counter measure can be observed. As for the food theme, it was a complete satisfactory film. But the story, the personal life of Ichiko was not explained well. I believe the original source could be well detailed, particularly about her mother. I always wondered about her mother, being an average mother, but an excellent cook who really inspired Inchiko to follow the same path. Remembering from her childhood and trying to recreate the same dish with the taste, in some cases, experimenting with the new ingredients, once again you will be mouthwatering. I loved both the film, and I wished for another installment. Gosh, why do it has to be only two films. It was a great direction. It was beautifully written for the screen and the locations, mind blowing. All the four seasons very pleasing to see on the screen. From the hot summer to autumn, cold winter and the spring. One year cycle of the seasons, as well as how the humans adapted to cope with the changes in the nature was well picturised. Beside the sub-topics, other than the film's notion were nicely placed in the parts of the narrative. I've said almost everything about the film(s) in the previous review. Because I did not expect anything different in this part. Just the same flow, but different season and dishes. Also the farming, according the seasons was the highlight of the film. The performance was great, though, as I said it all looked like a documentary film of the real lifestyle in the countryside. I haven't seen many documentaries about the Japan, so that's one the reasons why I overjoyed it. I know a couple of people who love cooking and they are indeed good at it, despite that's not their profession. I'm thinking to gift them this Blu-ray. You might have seen many food flicks, but this is different and a must see. So don't miss it! _9/10_
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
Mi Taylor is a young wanderer and opportunist who finds himself in the quiet English countryside home of the Brown family. The youngest daughter, Velvet, has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse.
Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.
CHERRY AND VIRGIN—a 'nervous romance' about Ryou, a 32-year-old erotic manga artist who has no experience with women, and Ami, a 28-year-old fujoshi who has a bad impression of real men.
Inspired by true events, the story begins with Japanese rugby officials dwelling on a humiliating anniversary, a 145-17 defeat by the New Zealand All Blacks in the 1995 World Cup. Officials question their decision to appoint Eddie Jones, to coach their national team for the 2015 World Cup. Jones plans to defy convention in order to put a stop to Japan being the laughing stock of world rugby.
Kosuke is 31, and tired of his hometown where nothing happens. On a whim, he departs for New York with dreams of making it big. 6 months later, he straggles home... defeated, and saddled with debt. Awaiting him are his old friends, a caring sister, a disgruntled father ...and a bowl of noodles. Namely, "udon" noodles. The town is built around udon, sustained by udon, nationally famous for udon.
A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.
At a national park in Kenya, English game warden George Adamson and his wife, Joy, care for three orphaned lion cubs. After the two larger lions are shipped off to a zoo in the Netherlands, the smallest of the three, Elsa, stays with the couple. When Elsa is blamed for causing an elephant stampede in the nearby village, head warden John Kendall demands the young lion either be trained to survive in the wilds of the Serengeti or be sent to a zoo.
Young Haru rescues a cat from being run over, but soon learns it's no ordinary feline; it happens to be the Prince of the Cats.
Two Japanese scientists, Ushioda and Ochi, develop a bond with their sled dogs while on an expedition in Antarctica.
Yumi Fukuzawa is an ordinary first year student at Lillian Girls' Academy. By chance Yumi meets second year student Sachiko Ogasawara, who is a candidate to become a Red Rose. Sachiko later offers her rosary to Yumi Fukuzawa which signifies she will become an older sister to Yumi. Meanwhile, Yumi, who already looks up to popular Sachiko, is perplexed why she is picked. A festival named "Cinderella" then approaches, which is run by the Yamayuri Council. Conflicts between the older and younger sisters soon begins ...