Calamity qui?

Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.

This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.

Wilfredo Morales, a man whose daughter is a bachelor of medicine, is infected while working in the midst of the COVID-19 pandemic, having to face a poor health system, he starts a race against the clock: Wilfredo only has 2 hours to Find an oxygen balloon and a mechanical ventilator before it's too late.

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Georgia O'Keeffe appears on camera for the first time to talk candidly about her work and her life in this 1977 documentary.

This documentary portrait is the first to celebrate the only American member of the French Impressionist school and the first American woman to become a famous painter. 'Mary Cassatt Impressionist From Philadelphia' is not only a biography of the artist’s life and work; the film sees both in the context of the status of the woman painter in Victorian America in the second half of the 19th century.

A short 1977 documentary about the originator of the ragtime rhythm.

Short documentary about the Sahara-dwelling Toubou, a tribe in which the women are treated as equals by the men.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.