Der Komödienstadel - Amerikaner mit Zuckerguss

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...

A comedy by well-known Albanian theater. A comedy known and loved by all, under the interpretation of the most famous actors of the Albanian National Theatre. A comedy that provides only laughter. Albanian: Nje komedi nga Teatri Popullor Shqiptar. Komedia me e njohur dhe me e dashur për të gjithë, nën interpretimin e aktoreve më të njohur të Teatrit Kombëtar. Nje komedi qe siguron vetem te qeshura.

Born from the fairytale of Alexei Tolstoy, a lively story about a curious tree boy Burattino who gets into an unexpected adventure.

In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

The original musical adaption of the Roman Polanski classic "The Fearless Vampire Killers". One of Europe's biggest musical hits.

Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.