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_**Adds some needed pizzazz to the Hammer series**_ A young man (Christopher Matthews) running from the law ends up at an ominous castle and goes missing. Thus his brother and a friend (Dennis Waterman & Jenny Hanley) travel to the dubious dwelling to find him, but come face-to-face with a formidable fiend (Christopher Lee). “Scars of Dracula” (1970) is a sort of reboot of the Hammer series in that it’s basically a redo of Lee’s first two stabs at the undead Count: “Horror of Dracula” (1958) and “Dracula, Prince of Darkness” (1966), not to mention it mixes in aspects of “Dracula Has Risen from the Grave” (1968) and, most significantly, the plot of “Psycho” (1960). For those who question the latter, just reread the plot description above. Some viewers gripe that this one doesn’t fit the chronology of the series for a couple of reasons, yet these supposed conundrums are easily explained: Dracula was reduced to dust at the end of the prior film, “Taste the Blood of Dracula” (1970), but Klove had instructions to seek out and acquire the Count’s ashes if he was ever slain and bring them back to the castle in Transylvania where one of his creatures of the night would supply the blood necessary to resurrect the Prince of Darkness. As for the differences in the look of the castle, Hammer had moved to a different studio and so of course it looks different than it did when they made “Horror of Dracula” thirteen years earlier. Although marred by the cheesy bat sequences, “Scars of Dracula” is one of the more entertaining installments due to the spirited Paul, a bit o’ genuine amusement in the first act and a generally compelling story (hey, it worked for “Psycho,” why wouldn’t it work here?). The female cast doesn’t hurt, particularly the lovely Hanley as Sarah, but also Anouska Hempel (Tania), Delia Lindsay (Alice) and Wendy Hamilton (Julie). For those interested, Hammer did nine Dracula-themed films from 1958 to 1974 as follows: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1970); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Lee plays Dracula in all of them except “Brides” and “7 Golden Vampires” while Peter Cushing appears in five of them as a Van Helsing. The film runs 1 hour, 35 minutes, and was shot at Elstree Studios & nearby Scratchwood, just northwest of London. GRADE: B
Somehow, the sound of Dennis Waterman with a plummy accent doesn't quite work in this standard Hammer production. He is "Simon" who is keen on "Sarah" (Jenny Hanley) who is, in turn, rather keen on his Lothario of a brother "Paul" (Christopher Mathews). When the latter man's antics cause him to flee the anger of the burgomaster, he alights on a fire-damaged castle where he is soon, well... "Simon" and "Sarah" along with the local priest (Michael Gwynn) are soon on the trail but can they rescue him - or, indeed, save themselves from the evil that is "Dracula" (Christopher Lee)? Patrick Troughton is quite effective as the put-upon factotum "Klove" and Lee does just enough but the rest of the cast are really pretty lacklustre as the story follows a predictable pattern - complete with bat-on-a-string and plenty of ketchup and Ribena. It's watchable, but there's way too much dialogue and not enough action until the very last few moments - and even that is too heavily dependent on a thunderstorm to create any sense of impending menace.
Carol Anne has been sent to live with her Aunt and Uncle in an effort to hide her from the clutches of the ghostly Reverend Kane, but he tracks her down and terrorises her in her relatives' appartment in a tall glass building. Will he finally achieve his target and capture Carol Anne again, or will Tangina be able, yet again, to thwart him?
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
Following Jigsaw's grisly demise, Detective Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
A space shuttle mission investigating Halley's Comet brings back a malevolent race of space vampires who transform most of London's population into zombies. The only survivor of the expedition and British authorities attempt to capture a mysterious but beautiful alien woman who appears responsible.
Lestat finds acceptance in a tattooed and pierced world, rekindling the desires of all-powerful Akasha.
Samuel and Lourdes are a humble marriage that go out of their way taking care of the land and their Lord properties. The owner of the house is Víctor, an ancient vampire that only feeds himself with the blood of bad people. Generation over generation, Samuel's family has been in charge of the duty of protecting their Lord but now, Samuel and Lourdes have two problems: they can not have a baby and a mysterious vampire relative arrives to the place turning everything upside down.
When a lawyer shows up at the vampire's doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Professor Van Helsing, who may be the only one able to vanquish the Count.
Detective Rita Veder is assigned to a baffling serial murder case. After examining the crime scene — a corpse-filled ship found adrift at sea — she meets Maximilian, a smooth-talking Caribbean playboy determined to romance her.
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.