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The Bold and the Beautiful - (Jul 27th)
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**It doesn't matter if it's Stanley Kubrick's best or worst. It's a movie that makes you think.** Stanley Kubrick is one of those filmmakers who didn't make a lot of films. Over the course of his forty-year career, he only made thirteen feature films. Very little... However, if we look closely, almost all of them are familiar and immediately entered the pantheon of cinema. They are not perfect films, nor was Kubrick perfect no matter how methodical he was, and there are films of his that are unpalatable (I've already written that in some of them). But each of them, for its reasons, is its own, a very different work. In this film, he makes a case study around desire, sexuality and how we, individually or as a couple, deal with it. The script follows a doctor and his wife. An apparently happy couple who, after a party where they both flirted with other people (without consequences), have a fight where she, perhaps to take away his self-confidence, confesses that she wanted to have another man, some time ago. The revelation leaves the doctor speechless. That night, he doesn't seem to know what he wants: he desires other women, but refuses their advances. But when a pianist friend tells him about a strange party, full of beauties, where he has to play blindfolded, he wants to see it up close. Yes, the party was a gigantic chic orgy, with touches of unholy religious ritual to accentuate the sense of sin and lust. Of course, the unwary guy ends up being discovered and unmasked… and from there, the film becomes denser, with the character increasingly afraid of what might happen to him. The film makes us think a lot about sexuality, monogamy, the importance we give to marital fidelity. I don't know what it was like in 1999, but today it's common to see couples in open relationships, or relatively discreet saunas and swing clubs that throw liberal parties with some regularity. There is still a universe apart – private parties, organized by social networks and for guests only – and it is true that the rich and famous are much more demanding with the reservation of their intimacy, especially when they do naughty things. But what the film proposes to us is, not so much the refusal of monogamy, but that we think about the way we give up all other sexual partners when we really fall in love. The notion of personal sacrifice runs through the entire film (a woman who gives up an erotic fantasy for love, another who proposes to die in order to save an innocent, a man who refuses sex because he is married) and indicates that the best bonds we create in life involve choices and sacrifices in exchange for something greater. In fact, to be happy in a marriage, you need to keep your eyes wide shut to temptations. With a very good and well written story, the film develops the characters very well and allows us to get to know them. For that, the film doesn't mind taking a slower pace that can leave some audiences exasperated. Decisive was the choice of Tom Cruise and Nicole Kidman for the main roles. At the time, they were Hollywood's pretty couple, and there's no doubt that Kubrick knew how to exploit their enormous personal and intimate chemistry, transporting it to the characters and the film. In fact, this may not be Kubrick's best film (that's relative!) but, for me, it's Cruise's best film so far. Technically, the film has many positives. Kubrick gave an almost maniacal attention to detail and took his time filming. And we can see how each scene was shot in a detailed way, with the camera moving precisely, cuts surgically made, very long and very well edited scenes, taking advantage of the excellent cinematography and sets (where, of course, the mansion of the party stands out). Even more important is the way the director was able to work with the environment and the tension, growing and almost palpable. There is a lot of nudity in this film, including frontal nudity (Kidman herself did scenes where she is practically naked) and some sex scenes that, if not explicit, are very visual. Even so, the film is not, surprisingly, very erotic. I think the director didn't want sex to distract us or cut that tension he was looking for. As for the sound and soundtrack, I think it does its job well, but I didn't find it particularly remarkable.
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla's husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg's money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla's scheme, however, doesn't go off as planned.
Jacques Laurent made pornographic films in the 1970s and '80s, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...
A former murderer and genius chef along with a waitress come together with a group of fantastical assassins in a diner. A girl with a hollowness in her heart, who believes that she belongs nowhere, is thrust into a series of attacks where she must struggle to find her will to live.
The story of Osamu Dazai, one of Japan's most celebrated novelists, absorbed in alcohol and love; married and in a relationship with two other lovers.
The heartwarming tale of how the baldest man in the world accidentally started a moon-worshipping cult in a working men's club in Wales.
A Taiwanese drug mule has his foolproof smuggling method thrown out of whack when he catches a ride with the wrong cab driver.
The roguishly charming and endlessly troublesome Fletch becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.
In 1970s America, three African-American siblings on the run from the police take refuge at an abandoned Tennessee Ranch, unaware their hideout is on the hunting grounds of a cannibalistic Ku Klux Klan cult. Trapped and tortured, the three must fight tooth and nail to escape alive and take down the bloodthirsty Klan.
A young couple is overjoyed when they find out that, after having had two girls, the wife is pregnant again, and this time it will be a son. However, the boy turns out to autistic. Unhappy with the diagnoses and treatments available, they decide to work out their own therapy program for their son.