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Well, when the credits started to roll I cannot say that I felt it had been a waste of time and money. I did indeed have some enjoyment watching this movie. However, it could have been a lot better. For starters, what is the point of making a movie about a bloody “dinosaur shark” and aim for a PG-13 rating? Whoever made that incredibly stupid decision obviously missed the mark big time. I think this was the biggest fault with the movie. There were so many missed opportunities. The entire scene at the beach at the end of the movie was just wasted for example. The script was of course somewhat illogical with holes in it large enough to drive a, well, a Megalodon through them. This however was something that I more or less expected given the kind of movie. First of all it is science fiction and fantasy after all and second, it appears that these kind of movies never seem to get anything better than mediocre script writers…at best. There were some good things though. I have read the book and I didn’t really like it. In my review I gave it 2 out 5 five stars. The main reason for this was that the book was more of a bad soap opera than a horror/thriller. It was so filled with unlikable, scheming and backstabbing assholes that it was really not enjoyable. Jason’s ex wife was such a despicable bitch that she alone ruined the book for example. Luckily the movie had toned down that aspect of the book quite a lot. Actually, in the end, there was really only one truly despicable asshole in the movie and he met with the fate that he deserved thanks to his own stupidity. So, I did enjoy the movie and, as a science fiction and fantasy fan, I am glad to have watched it. I mean, a giant pre-historic shark on the big screen does have a certain cool-factor after all. It was somewhat saved by Jason Statham being in it though and it could have been a lot better.
Child friendly horror... You have to take in to context the post release statements by director Jon Turteltaub and lead actor Jason Statham. The Meg is not the film they either read on the page or filmed as a course of grisly schlock entertainment. This was meant to be a proper schlocker, a bloodletting monster of the deep on the loose picture, sadly the suits at the helm didn't see that as a viable money making exercise and had this cut to be a "12" friendly bums on theatre seats cash grabber. Shame on them. What we get is a run of the mill creature feature that although once viewed does not leave a lasting impression (was anyone really hoping for that anyway?), but is kind of fun in that time filling sort of way. It runs through the modern day creature feature playbook 101. So off we go with the hero having a troubled backstory, a money made funder out of his depth, ladies with life quandaries, a man who can't swim working in the middle of the ocean! and on we go. Throw in some quite awfully scripted dialogue and it's cheese sarnie time. Statham is nearly always a good watch - in the muscle bound action hero kind of way - though you see the cracks between what the film was meant to be and what it ended up as. For you see that The Stath comes off as taking it all too seriously, which in this released cut is ridiculous. He's surrounded by no mark actors, though no short supply of beauty (Bingbing Li socko gorgeous/Ruby Rose hard sexy) and the narrative feeds us all the pointers of exactly where this will end up. There's a couple of nifty fun homages to Jaws, some decent suspense scenes, and the cinematography (Tom Stern) is pin sharp and pleasurable. Best bet to enjoy this is to know it's a "12" rated friendly piece, to understand it has ultimately ended up as a same old same old monster movie. It's a million miles away from the class of Jaws, and lacks the tongue in cheek knowing of Deep Blue Sea, but it fills a gap in that undemanding time wasting way. 5/10
It's nice to see a Shark-led Creature Feature that's actually got some money behind it, but _The Meg_ is still really nothing special. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
This is one of these international co-productions that has way too many producers and vested interests behind it, so it's no great surprise that what we do end up with is such an hybrid of so many other films, It's actually quite hard to be objective when writing about it. The obvious comparisons are with "Jaws" (1975) and "Deep Blue Sea" (1999) but this is a distinctly poor relation. Even on an IMAX screen, it moves along with all the pace of a milk-float even despite the lively contributions from the enthusiastic Jason Statham as he attacks the leviathan with a glorified Stanley knife. The remainder of the acting and pretty much all of the dialogue is typically banal and but for the very effective use of CGI this would achieve laughs not gasps. Can't wait for the sequel....
'The Meg' almost succeeds in being a fun action blockbuster, though for me it comfortably falls short of doing so. To put it bluntly, I simply got bored whilst watching it. I like the cast, but that's about it in terms of positives. The effects and story just didn't do it for yours truly. 'Jaws' (obviously) and even 'Piranha' did it better, this one doesn't have anything fresh to add to the subgenre of man-eating fish. It kinda does its own thing for the first half, however by the end it really could just be a flick from either of those two named franchises. As noted, I did like those onscreen. Jason Statham isn't at his best but is nevertheless effortlessly entertaining. He, Li Bingbing and Sophia Cai are a cute trio. Cliff Curtis is pretty solid too. Page Kennedy is OK, I remember him from TV's 'Rush Hour' (I'm one of a few that actually saw and enjoyed that show). I can't imagine the sequel turned out any better. I am going to soon find out, here's hoping it does.
In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.
The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.
Two astronomers go on a media tour to warn humankind of a planet-killing comet hurtling toward Earth. The response from a distracted world: Meh.
A murderous baboon escapes from a laboratory and roams the research building, and begins to kill some teenagers who are also in the building playing a Dungeons-and-Dragons type game.
A notorious thief allies with a street racer for a grand heist involving an elaborate game of deceit with authorities, who have their own dirty secrets.
When she discovers the plane crash that claimed the lives of her family was no accident, Stephanie Patrick enters the dark, complex world of international espionage seeking vengeance. With nothing left to lose, Stephanie transforms from victim to assassin and discovers that neither revenge nor the truth are what they appear.
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?
When ants, displaying never-before-seen behavior, seize an island, the controversial Thorax Team is called in to stop the massive threat, only to discover that the ants are controlled by something beyond this world.
An atomic explosion awakens Gammera, a giant fire breathing turtle monster from his millions of years of hibernation.
Adventurer Felipe ventures on a quest with Commander Smollet to stop a villain in search of a gem that will restore life on Earth.
When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.