Lost in Tomorrow 2023 - Movies (Dec 24th)
Christmas in Maple Hills 2024 - Movies (Dec 24th)
Christmas with the Prince 2023 - Movies (Dec 24th)
Christmas with Jerks 2023 - Movies (Dec 24th)
Christmas at Keestone 2023 - Movies (Dec 24th)
A Novel Christmas 2024 - Movies (Dec 24th)
The Forge 2024 - Movies (Dec 24th)
Chiefsaholic A Wolf in Chiefs Clothing 2024 - Movies (Dec 24th)
SuperKlaus 2024 - Movies (Dec 24th)
Our Christmas House 2024 - Movies (Dec 24th)
Werewolves 2024 - Movies (Dec 24th)
Y2K 2024 - Movies (Dec 24th)
Gladiator II 2024 - Movies (Dec 24th)
Moana 2 2024 - Movies (Dec 23rd)
Mufasa The Lion King 2024 - Movies (Dec 23rd)
A Cinderella Christmas Ball 2024 - Movies (Dec 23rd)
Christmas Under the Northern Lights 2024 - Movies (Dec 23rd)
Bird 2024 - Movies (Dec 23rd)
Since Yesterday The Untold Story of Scotlands Girl Bands 2024 - Movies (Dec 23rd)
The Cable That Changed the World 2024 - Movies (Dec 23rd)
A Carpenter Christmas Romance 2024 - Movies (Dec 23rd)
Homestead- The Series - (Dec 24th)
The Count of Monte Cristo - (Dec 24th)
Gutfeld - (Dec 24th)
Hannity - (Dec 24th)
Jesse Watters Primetime - (Dec 24th)
The Ingraham Angle - (Dec 24th)
Special Report with Bret Baier - (Dec 24th)
The Five - (Dec 24th)
The 11th Hour with Stephanie Ruhle - (Dec 24th)
The Journal Editorial Report - (Dec 24th)
The Tucker Carlson Show - (Dec 24th)
The Chase Australia - (Dec 24th)
Letters and Numbers - (Dec 24th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Well, when the credits started to roll I cannot say that I felt it had been a waste of time and money. I did indeed have some enjoyment watching this movie. However, it could have been a lot better. For starters, what is the point of making a movie about a bloody “dinosaur shark” and aim for a PG-13 rating? Whoever made that incredibly stupid decision obviously missed the mark big time. I think this was the biggest fault with the movie. There were so many missed opportunities. The entire scene at the beach at the end of the movie was just wasted for example. The script was of course somewhat illogical with holes in it large enough to drive a, well, a Megalodon through them. This however was something that I more or less expected given the kind of movie. First of all it is science fiction and fantasy after all and second, it appears that these kind of movies never seem to get anything better than mediocre script writers…at best. There were some good things though. I have read the book and I didn’t really like it. In my review I gave it 2 out 5 five stars. The main reason for this was that the book was more of a bad soap opera than a horror/thriller. It was so filled with unlikable, scheming and backstabbing assholes that it was really not enjoyable. Jason’s ex wife was such a despicable bitch that she alone ruined the book for example. Luckily the movie had toned down that aspect of the book quite a lot. Actually, in the end, there was really only one truly despicable asshole in the movie and he met with the fate that he deserved thanks to his own stupidity. So, I did enjoy the movie and, as a science fiction and fantasy fan, I am glad to have watched it. I mean, a giant pre-historic shark on the big screen does have a certain cool-factor after all. It was somewhat saved by Jason Statham being in it though and it could have been a lot better.
Child friendly horror... You have to take in to context the post release statements by director Jon Turteltaub and lead actor Jason Statham. The Meg is not the film they either read on the page or filmed as a course of grisly schlock entertainment. This was meant to be a proper schlocker, a bloodletting monster of the deep on the loose picture, sadly the suits at the helm didn't see that as a viable money making exercise and had this cut to be a "12" friendly bums on theatre seats cash grabber. Shame on them. What we get is a run of the mill creature feature that although once viewed does not leave a lasting impression (was anyone really hoping for that anyway?), but is kind of fun in that time filling sort of way. It runs through the modern day creature feature playbook 101. So off we go with the hero having a troubled backstory, a money made funder out of his depth, ladies with life quandaries, a man who can't swim working in the middle of the ocean! and on we go. Throw in some quite awfully scripted dialogue and it's cheese sarnie time. Statham is nearly always a good watch - in the muscle bound action hero kind of way - though you see the cracks between what the film was meant to be and what it ended up as. For you see that The Stath comes off as taking it all too seriously, which in this released cut is ridiculous. He's surrounded by no mark actors, though no short supply of beauty (Bingbing Li socko gorgeous/Ruby Rose hard sexy) and the narrative feeds us all the pointers of exactly where this will end up. There's a couple of nifty fun homages to Jaws, some decent suspense scenes, and the cinematography (Tom Stern) is pin sharp and pleasurable. Best bet to enjoy this is to know it's a "12" rated friendly piece, to understand it has ultimately ended up as a same old same old monster movie. It's a million miles away from the class of Jaws, and lacks the tongue in cheek knowing of Deep Blue Sea, but it fills a gap in that undemanding time wasting way. 5/10
It's nice to see a Shark-led Creature Feature that's actually got some money behind it, but _The Meg_ is still really nothing special. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
This is one of these international co-productions that has way too many producers and vested interests behind it, so it's no great surprise that what we do end up with is such an hybrid of so many other films, It's actually quite hard to be objective when writing about it. The obvious comparisons are with "Jaws" (1975) and "Deep Blue Sea" (1999) but this is a distinctly poor relation. Even on an IMAX screen, it moves along with all the pace of a milk-float even despite the lively contributions from the enthusiastic Jason Statham as he attacks the leviathan with a glorified Stanley knife. The remainder of the acting and pretty much all of the dialogue is typically banal and but for the very effective use of CGI this would achieve laughs not gasps. Can't wait for the sequel....
A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.
Convinced that his family’s blood is tainted by generations of evil, Roderick Usher is hell-bent on destroying his sister Madeline’s wedding to prevent the cursed Usher bloodline from extending any further. When her fiancé, Philip Winthrop, arrives at the crumbling family estate to claim his bride, Roderick goes to ruthless lengths to keep them apart.
A group of teens journey to a remote cabin in the woods where their fate is unknowingly controlled by technicians as part of a worldwide conspiracy where all horror movie clichés are revealed to be part of an elaborate sacrifice ritual.
Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents - the city-loving Fred and country-happy Alice - constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.
Follows 20-year-old Drea, who reluctantly takes a job babysitting for a professor of a college she hopes to attend. Struggling to entertain the professor's children Trissy and Jake, along with her own little brother Phillip , Drea takes them on a hike, unaware that mysterious alien critters have crash-landed and started devouring every living thing they encounter.
Dominic, a conflicted soldier, tries to draw the line between what's right and wrong as he attempts to hunt down a creature.
In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
Primatologist Davis Okoye shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it’s soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.
After his family moves to a new house, a young boy discovers a mysterious book that details a curse hanging over the date of Saturday the 14th. Opening the book releases a band of monsters into the house and the family must join together to save themselves and their neighborhood.