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> The cops versus a corporate house. The Korean cop-thieves films are quite extraordinary and I had seen plenty of them. This is based on kind of similar theme. Instead the gang here it is a cop who face-off a millionaire. This is not completely a serious action-crime, but a bit of fun too, that was well written and directed by 'The Berlin File' filmmaker. The film was a huge hit in the domestic market, but I felt the runtime was slightly a lengthy with some few boring parts. Overall, the film was entertaining, that reached close to my expectation. Before coming to the main story, the film tells a couple of quick crime solving events in its first act. It was the story of an honest, but a tough police officer when it comes to the crimes and criminals. That's how he ends up on one of the greatest case he has ever taken in the hand. Though, it all begins when one of the truck drivers was badly injured after protesting over his termination from the job without the pay. That brings a young wealthy businessman into the frame for the head-to-head clash between him and the cops. In the end who wins, the corporate house with their financial power and political influence or the limbless police force is the remaining. The opening was so hilarious, I thought I had to prepare for the laugh riot, but then the middle parts failed to keep the same intensity. Precisely to say there's nothing much happened, not the interesting stuffs. That is where the audience has to watch out, because this is not one hundred per cent comedy. But somehow the story kept moving in a right direction, especially the clash between the cops and corporate, at least in a draggy pace. When the final act commenced, I felt the previous developments came in handy to set the stage for a great finish. > "I told you to stay out of trouble." Quite refreshing from the regular cop films. I did not anticipate the amusing characters like this, not from the cops. Only the cops, but the character sets from the opposite were inverted like 'the masks of comedy and tragedy'. The whole cop team, including the chief was so funny. There are loads of small scale jokes that brighten up our mood. But like I said, once the narration approaches the midway, especially after a business tycoon was introduced, all the fun parts were beginning to fade away. That's the reminder for the commencement of the other facet of the story. So the film takes the us to the vital segment of the narration where the intensified confrontation takes place. But only the twist spells even more interest in us about the tale's ending. Nothing any breathtaking secrets revealed, yet absolutely best and smart turnaround. The struggling police force against their rival was brilliantly told. In reality, I don't think things can happen like that, but for a movie, it was fun as well as thrilling with some awesome stunt sequences. The actors too showed their potential. I think it is a good film to remake, but there are few areas to improve like overall pace of the film. When the film started, it took me around half an hour to get used to everything about the film. From the characters to the situations they are in, it needs a serious attention from us, but the other side the length of the film is a worrisome. I enjoyed watching it, so no doubt it was a good film, but should have been even better than that. I would say it missed an opportunity to be one of a fine cop film. Not because of the attachment of the comedies, but separating and randomising them from the other heavy events makes it an inconsistent to keep up the same momentum throughout, especially like during facing the bad guys. If you watch the film's ending you will understand what I meant. So these kind of flaws are minors, that comes under the screenplay's error when the scenes in the story failed to flow in a same flat surface. That's what I felt, yet I know I'm not an expert in that field, but I have experience watching films like that. So I won't complain the overall film, surely I can recommend it for those who like cop story. Though the one thing you have to keep in your mind is that it is not a serious recital, but something like seeing a film Jackie Chan in a cop avatar. 7/10
After the hot-tempered police detective Fei messes up yet another operation, he is transferred to a fictional department that houses all the useless staff the force couldn’t sack. There he finds a new enemy in the mild-mannered desk officer Johnny, who loathes Fei’s disregard for discipline. But when Fei’s father and Johnny’s mother coincidentally become an item, the new brothers must somehow learn to cohabit under the same roof.
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Vigilante Casey Jones confiscates a futuristic gun from a criminal and begins to question his brand of justice. When footage of the fight spreads, girlfriend April O'Neil warns that he is drawing the attention of a dark organization.
The former star of a cancelled cop TV show solves crimes. The pilot was broadcast on NBC in July 1991 but was not picked up as a series despite being a "personal favorite" of NBC chairman Brandon Tartikoff.
The inventor of a new top-of-the-line burglar alarm system is kidnapped by a gang in order to get him to help them commit robberies.
Two men have different motivations but the same goal when they team up and mount an assault on a powerful drug gang.
Truck drivers Steve Hackett and Bill Purvis are fired from their jobs with the West Coast Trucking company for not using second-gear going down steep grades. Davis, the company vice-president, surprisingly asks them to carry a load of merchandise to Arrowhead and offers a $1000 bonus. He tells them it is a load of lettuce. Several miles out of Los Angelese, they are stopped by a mob of lettuce-farm workers on strike. When the first crate is tossed off the truck, it explodes and the two pals learn their merchandise is a cargo of dynamite. The workers let them proceed and they crash into a car driven by Mary Stevens, whom they had met at a restaurant. She and her dog, "Butch" (played by a Credited dog named Stooge), join them and they deliver their cargo, and learn unscrupulous real-estate operators have jammed the locks on the dam in order to ruin the ranchers and farmers and take over their property.
The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?
In the near future in the Asian city-state Sintawan, everyone's identity is recorded in the vast CyberLink. The only way around this is using illegal simulated identity implants (sims). A young bounty hunter who makes her living tracking sims, finds herself the unlikely ally of a police detective who suspects the CyberLink is being perverted for an insidious and deadly purpose
A spin-off to Ferris Bueller's Day Off, following the valets who 'borrowed' Mr. Frye's Ferrari.