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> The cops versus a corporate house. The Korean cop-thieves films are quite extraordinary and I had seen plenty of them. This is based on kind of similar theme. Instead the gang here it is a cop who face-off a millionaire. This is not completely a serious action-crime, but a bit of fun too, that was well written and directed by 'The Berlin File' filmmaker. The film was a huge hit in the domestic market, but I felt the runtime was slightly a lengthy with some few boring parts. Overall, the film was entertaining, that reached close to my expectation. Before coming to the main story, the film tells a couple of quick crime solving events in its first act. It was the story of an honest, but a tough police officer when it comes to the crimes and criminals. That's how he ends up on one of the greatest case he has ever taken in the hand. Though, it all begins when one of the truck drivers was badly injured after protesting over his termination from the job without the pay. That brings a young wealthy businessman into the frame for the head-to-head clash between him and the cops. In the end who wins, the corporate house with their financial power and political influence or the limbless police force is the remaining. The opening was so hilarious, I thought I had to prepare for the laugh riot, but then the middle parts failed to keep the same intensity. Precisely to say there's nothing much happened, not the interesting stuffs. That is where the audience has to watch out, because this is not one hundred per cent comedy. But somehow the story kept moving in a right direction, especially the clash between the cops and corporate, at least in a draggy pace. When the final act commenced, I felt the previous developments came in handy to set the stage for a great finish. > "I told you to stay out of trouble." Quite refreshing from the regular cop films. I did not anticipate the amusing characters like this, not from the cops. Only the cops, but the character sets from the opposite were inverted like 'the masks of comedy and tragedy'. The whole cop team, including the chief was so funny. There are loads of small scale jokes that brighten up our mood. But like I said, once the narration approaches the midway, especially after a business tycoon was introduced, all the fun parts were beginning to fade away. That's the reminder for the commencement of the other facet of the story. So the film takes the us to the vital segment of the narration where the intensified confrontation takes place. But only the twist spells even more interest in us about the tale's ending. Nothing any breathtaking secrets revealed, yet absolutely best and smart turnaround. The struggling police force against their rival was brilliantly told. In reality, I don't think things can happen like that, but for a movie, it was fun as well as thrilling with some awesome stunt sequences. The actors too showed their potential. I think it is a good film to remake, but there are few areas to improve like overall pace of the film. When the film started, it took me around half an hour to get used to everything about the film. From the characters to the situations they are in, it needs a serious attention from us, but the other side the length of the film is a worrisome. I enjoyed watching it, so no doubt it was a good film, but should have been even better than that. I would say it missed an opportunity to be one of a fine cop film. Not because of the attachment of the comedies, but separating and randomising them from the other heavy events makes it an inconsistent to keep up the same momentum throughout, especially like during facing the bad guys. If you watch the film's ending you will understand what I meant. So these kind of flaws are minors, that comes under the screenplay's error when the scenes in the story failed to flow in a same flat surface. That's what I felt, yet I know I'm not an expert in that field, but I have experience watching films like that. So I won't complain the overall film, surely I can recommend it for those who like cop story. Though the one thing you have to keep in your mind is that it is not a serious recital, but something like seeing a film Jackie Chan in a cop avatar. 7/10
Genji and his victorious G.P.S. alliance find themselves facing down a new challenge by the students of Hosen Academy, feared by everyone as 'The Army of Killers.' The two schools, in fact, have a history of bad blood between them. And the simmering embers of hatred are about to flare up again, burning away any last remnants of the truce they had so rigorously observed until now.
In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
An assassin named Tae-goo is offered a chance to switch sides with his rival Bukseong gang, headed by Chairman Doh. Tae-goo rejects the offer that results in the murder of his sister and niece. In revenge, Tae-goo brutally kills Chairman Doh and his men and flees to Jeju Island where he meets Jae-yeon, a terminally ill woman. Though, the henchman of the Bukseong gang, Executive Ma is mercilessly hunting Tae-goo to take revenge.
In the near future in the Asian city-state Sintawan, everyone's identity is recorded in the vast CyberLink. The only way around this is using illegal simulated identity implants (sims). A young bounty hunter who makes her living tracking sims, finds herself the unlikely ally of a police detective who suspects the CyberLink is being perverted for an insidious and deadly purpose
A futuristic film about a crisis near the brink of war after three leaders are kidnapped by a North Korean nuclear submarine in a coup d’état during a summit between the two Koreas and the United States.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Two small-time criminals find themselves in over their heads when they try to intimidate their roommate's boss.
May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.
Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.