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These people, they steal, they murder, they destroy people's lives and they get away with it! Ah yes, the Death Wish series of films, each and every one guaranteed to invoke some ire and even hatred from critical circles and film lovers alike. Yet to think that they don't have fans from movie land would be wrong - case in point Death Wish 5: The Face of Death. Often considered to be the runt of the litter, it's actually better than what some would have you believe. OK! So the formula is the same as usual, Charles Bronson's Paul Kersey will have to take up his vigilante arms once again when someone close to him falls by the wayside. The law is still an ass and the bad guys can literally get away with murder, but they can't get away from crossing the path of Kersey. It is what it is in that respect, another chance for Bronson to please fans of the series, to attack his role with machismo and a quip on the tongue. Where inventive deaths are conjured with a side order of vigilante relish. There's even strains of film noir in here, with a henchman as a transvestite and another with a dandruff problem that bothers him so. There's even a mannequin factory for added noirish flavours. The production isn't exactly high end (tongue in cheek folks), and the usual suspension of disbelief is very much required, but for fans of Chuck and the series, then this delivers the goods. Bloodily so. 7/10
A young woman wakes up in a cheap motel, covered in blood, next to a dead body with no memory of the previous evening. Scared out of her mind, she attempts to put the pieces back together, trying to remember the horrors might have happened.
A long-time married couple who've spent their lives together in the same New York apartment become overwhelmed by personal and real estate-related issues when they plan to move away.
With the American Dream set in their minds, two pathetic gangsters, one Luxembourgish, the other German, go through various trials and tribulation in the South of Luxembourg.
Corinne d'Alys (Daniels) achieves sudden success on the stage and among her many admirers is noted artist Robert Townsend (Menjou). Robert is married to Elsa (Williams), the sister of John Elliott (Stone), the producer responsible for Corinne's rise to fame. The young woman's head is turned by the praise she receives and, despite John's warning against Robert, she permits the latter to paint her portrait and pay her a good deal of attention. John himself loves Corinne and believes that wisdom will come to her with time.
A sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape and murder.
Some youngsters rape and kill their teacher; but they won't tell their motivation. The police detective on the case feels some sinister influence behind the young murderers.
An escaped convicted murderer invades the cottage of a man, his wife and the wife's sister, whereupon he proceeds to torment this already dysfunctional trio with rape and violence.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power.
The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.