Gone Doggy Gone

After more than 20 years, the marriage of Bevon consultant Thea and car mechanic Rainer has been worn down by years of routine. Thea lacks appreciation from her family and no longer has access to her teenage daughter Janina. Her husband Rainer is still mourning his missed chance of a career as a rock star and is hopelessly at odds with his son Patrick. When Heinrich Bittner, a supposedly close friend of Thea's deceased father, suddenly moves in with the Cronpichels, Thea enjoys his presence and begins to see her life with new eyes. But is the charming and mysterious Heinrich really who he claims to be?

Eric and Louise's honeymoon is disrupted by a stranger who claims he will perform a miracle. Meanwhile, Eric's brother and best friend are both experiencing trouble with their own relationships and want to warn him about challenges of marriage.

An obnoxious meter maid and social media junkie, Michael fakes his own death to see which of his many friends will attend his funeral.

A noble warrior seeks revenge against the ruler of his kingdom, who killed his father. At the same time, he also ends up upsetting the neighbouring enemy kingdom's ruler.

The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.

For a thousand years, the Reapers guarded mankind from the demons that wait in the dark. Now, at the beginning of a new age, the Reapers are betrayed and slaughtered. Only one Reaper remains - Red, and she's out to exact revenge.

Two religious maniacs, Judas (played by Terrence Fleming) and Corned Beef (played by Eric Hammer), are visited by two aliens, Madeline Virbasius and Dion. Virbasius, dressed as the Virgin Mary, tells the two to kill people for Jesus and to drain the puss from their heads and bring it back to them. Fleming and Hammer set out to bring "the Virgin Mary" back as much puss back as possible in a bucket (hence the title)

A queer lady holiday movie that follows the lives of three very different couples in dealing with their love lives in various loosely interrelated tales all set right before Christmas through New Years.

It sometimes takes little to spoil a weekend in the country. A simple misunderstanding in a supermarket parking lot, a bad reaction, and there you go, everything is awry. Nothing is going well for Christine. Jean leaves her. Her oldest friends, Sylvette and Ulrich, are no longer such good friends. Everything is falling apart at the seams. But life is always full of surprises.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?